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Abstract(s)
O monólogo constitui um ponto alto no percurso artístico de um actor e, não obstante, nem todos os actores escolhem interpretá-lo e os que o fazem contam, muitas vezes, com uma experiência profissional já consolidada. Recorrendo ao tema das emoções para investigar o fenómeno, identificamos e quantificamos as emoções sugeridas pela ausência de contracena e ainda pela carga emotiva dos assuntos abordados - no caso, o Universo Feminino. Delineada como pesquisa transversal de abordagem qualitativa, a observação directa e participante vale-se então da interpretação de um monólogo e da criação de um texto original para o efeito. No decorrer do estudo, a vivência pessoal e subjectiva do pesquisador não consegue dar origem a um resultado definitivo mas é responsável por acrescentar os conceitos - público e crítica - à discussão. O público enquanto elemento de contracena e enquanto formador de opinião ou crítica. E de facto, já no final do processo, conclui-se que a questão da crítica, seja a do público ou a autocrítica, tem um impacto preponderante no comportamento dos actores e é precisamente na forma como lidam emocionalmente com essa questão que encontramos a resposta ao problema.
The monologue is a high point in the artistic career of an actor, and yet, not all actors choose to interpret it and those that do, often have a consolidated professional experience already. Using emotions as the theme to investigate the phenomenon, we identify and quantify the emotions suggested by the absence of co-actors and also by the emotional charge of the subjects - in this case, the female universe. Designed as a cross-sectional research with a qualitative approach, the direct and participant observation is made through the interpretation of a monologue and the creation of an original text for the purpose. During the study, personal and subjective experiences of the researcher did not give a definitive result but are responsible for adding the concepts - public and review - to the discussion. The public can be an integrated element and opinion-maker or critic. And indeed, at the end of the process, it is concluded that the criticism, either from the public or self-criticism, have a major impact on the behavior of actors and it is precisely how we deal with this issue emotionally that we find the answer to the problem.
The monologue is a high point in the artistic career of an actor, and yet, not all actors choose to interpret it and those that do, often have a consolidated professional experience already. Using emotions as the theme to investigate the phenomenon, we identify and quantify the emotions suggested by the absence of co-actors and also by the emotional charge of the subjects - in this case, the female universe. Designed as a cross-sectional research with a qualitative approach, the direct and participant observation is made through the interpretation of a monologue and the creation of an original text for the purpose. During the study, personal and subjective experiences of the researcher did not give a definitive result but are responsible for adding the concepts - public and review - to the discussion. The public can be an integrated element and opinion-maker or critic. And indeed, at the end of the process, it is concluded that the criticism, either from the public or self-criticism, have a major impact on the behavior of actors and it is precisely how we deal with this issue emotionally that we find the answer to the problem.
Description
Keywords
Monólogo Emoções Contracena Público Crítica (Construção) Personagem Relação autora/encenadora - actriz Feminino Monologue Emotions Co-actors Public Critic (Construction) Character Relationship author/director - actress Female