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Abstract(s)
Esta dissertação tem por temática uma corrente estética musical, o Pós-Modernismo, aliada ao conceito de Obra Aberta de Umberto Eco. Será feito um levantamento bibliográfico de várias perspetivas acerca da Composição ao longo do século XX, nomeadamente o Modernismo, e a música Indeterminista de forma a compreender o surgimento das intencionalidades pós-modernas. O Pós-Modernismo será analisado através de alguns exemplos, com vista à melhor compreensão do conceito de Obra Aberta. Este, por sua vez, será sujeito a um questionamento quanto à sua definição e possíveis corolários e também quanto à sua materialização. De seguida, as peças escritas ao longo do ano letivo serão expostas e relacionadas com a teoria enunciada na primeira parte da dissertação.
This dissertation has as its theme a musical aesthetic current, Postmodernism, allied to Umberto Eco’s concept of Open Work. A bibliographical survey of various perspectives on Composition throughout the 20th century will be made, namely Modernism and Indeterminist music in order to understand the emergence of postmodern intentionalities. Postmodernism will be analysed through some examples, to better understand the concept of Open Work. This, in turn, will be subject to a questioning regarding its definition and possible corollaries and also its materialization. Next, the pieces written throughout the school year will be exposed and related to the theory enunciated in the first part of the dissertation.
This dissertation has as its theme a musical aesthetic current, Postmodernism, allied to Umberto Eco’s concept of Open Work. A bibliographical survey of various perspectives on Composition throughout the 20th century will be made, namely Modernism and Indeterminist music in order to understand the emergence of postmodern intentionalities. Postmodernism will be analysed through some examples, to better understand the concept of Open Work. This, in turn, will be subject to a questioning regarding its definition and possible corollaries and also its materialization. Next, the pieces written throughout the school year will be exposed and related to the theory enunciated in the first part of the dissertation.
Description
Keywords
Obra aberta Pós-modernismo Improvisação Interpretação Ambiguidade Música não erudita Jazz Open work Postmodernism Improvisation Interpretation Ambiguity Non-erudite music