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Tradução da obra Ivanov, de Anton Tchekhov
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O presente trabalho de projeto consistiu na tradução, de russo para português, da peça de
teatro Ivanov, de Anton Tchekhov. No presente relatório, aborda-se não só a problemática
das especificidades da tradução para teatro, fundamentada em obras e ensaios teóricos
sobre o tema, como também é feita uma apresentação da vida e obra do autor, assente em
ensaios compilados na obra The Cambridge Companion to Chekhov, editada por Vera
Gottlieb e Paul Allain, com especial enfoque na peça de teatro Ivanov, no contexto da
obra tchekhoviana. Um lugar especial, neste relatório, foi reservado à análise dos
problemas e dificuldades, que foram surgindo ao longo do processo de tradução da obra,
sendo indicadas e devidamente justificadas as respetivas soluções encontradas. A
metodologia seguida em ambos os processos, de tradução e de análise, assenta nos
princípios teóricos, desenvolvidos e apresentados por Jean-Paul Vinay e Jean Darbelnet
na sua obra Comparative Stylistics of French and English / A methodology for translation.
Em paralelo, recorreu-se aos conceitos de equivalência propostos por Peter Newmark,
bem como às abordagens específicas da tradução teatral desenvolvidas por Jiří Levý e
Susan Bassnett.
This project consisted of translating Anton Chekhov’s play Ivanov, from Russian into Portuguese. This report addresses not only the particularities of theatre translation, based on theoretical works and essays on the subject, but also a presentation of the author’s life and work, based on essays compiled in The Cambridge Companion to Chekhov, edited by Vera Gottlieb and Paul Allain, with a special focus on the play Ivanov, in the context of Chekhov’s work. A special place in this report is reserved for analysing the problems and difficulties that arose during the process of translating the play, as well as duly indicating and justifying the solutions found. The methodology followed in both the translation and analysis processes is based on the theoretical principles developed and presented by Jean-Paul Vinay and Jean Darbelnet in their work Comparative Stylistics of French and English / A methodology for translation. At the same time, the concepts of equivalence proposed by Peter Newmark, as well as specific approaches to theatre translation developed by Jiří Levý and Susan Bassnett have also been drawn on.
This project consisted of translating Anton Chekhov’s play Ivanov, from Russian into Portuguese. This report addresses not only the particularities of theatre translation, based on theoretical works and essays on the subject, but also a presentation of the author’s life and work, based on essays compiled in The Cambridge Companion to Chekhov, edited by Vera Gottlieb and Paul Allain, with a special focus on the play Ivanov, in the context of Chekhov’s work. A special place in this report is reserved for analysing the problems and difficulties that arose during the process of translating the play, as well as duly indicating and justifying the solutions found. The methodology followed in both the translation and analysis processes is based on the theoretical principles developed and presented by Jean-Paul Vinay and Jean Darbelnet in their work Comparative Stylistics of French and English / A methodology for translation. At the same time, the concepts of equivalence proposed by Peter Newmark, as well as specific approaches to theatre translation developed by Jiří Levý and Susan Bassnett have also been drawn on.
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Anton Tchekhov Ivanov Tradução Teatro Translation Theatre