Loading...
Publication
Redefinindo a tradição violinística: o impacto de quatro compositoras pós-românticas
| Name: | Description: | Size: | Format: | |
|---|---|---|---|---|
| 3.87 MB | Adobe PDF |
Authors
Advisor(s)
Abstract(s)
O presente projeto artístico analisa o papel e a receção de quatro compositoras – Amy Beach, Florence Price, Lili Boulanger e Germaine Tailleferre – no contexto da estética pós-romântica, com particular foco no repertório violinístico. Partindo da transição do século XIX para o XX, marcada por profundas transformações sociais, políticas e culturais, a investigação discute as barreiras estruturais e simbólicas impostas às mulheres no campo da música erudita, tradicionalmente dominado por critérios androcêntricos. A investigação articula análise histórica, estética e crítica das obras selecionadas, evidenciando como estas compositoras, apesar das restrições jurídicas, sociais e culturais, conseguiram afirmar-se artisticamente, introduzindo novas linguagens e perspetivas no cânone musical. O trabalho propõe uma reconfiguração da narrativa da música pós-romântica, integrando a produção feminina de forma plena e crítica, e culmina na valorização performativa das suas obras através de um recital final.
This artistic project analyzes the role and reception of four female composers – Amy Beach, Florence Price, Lili Boulanger, and Germaine Tailleferre – in the context of post-Romantic aesthetics, with a particular focus on the violin repertoire. Starting from the transition from the 19th to the 20th century, marked by profound social, political, and cultural transformations, the research discusses the structural and symbolic barriers imposed on women in the field of classical music, traditionally dominated by androcentric criteria. The research combines historical, aesthetic, and critical analysis of the selected works, highlighting how these composers, despite legal, social, and cultural restrictions, managed to assert themselves artistically, introducing new languages and perspectives into the musical canon. The work proposes a reconfiguration of the narrative of post-Romantic music, fully and critically integrating female production, and culminates in the performative appreciation of their works through a final recital.
This artistic project analyzes the role and reception of four female composers – Amy Beach, Florence Price, Lili Boulanger, and Germaine Tailleferre – in the context of post-Romantic aesthetics, with a particular focus on the violin repertoire. Starting from the transition from the 19th to the 20th century, marked by profound social, political, and cultural transformations, the research discusses the structural and symbolic barriers imposed on women in the field of classical music, traditionally dominated by androcentric criteria. The research combines historical, aesthetic, and critical analysis of the selected works, highlighting how these composers, despite legal, social, and cultural restrictions, managed to assert themselves artistically, introducing new languages and perspectives into the musical canon. The work proposes a reconfiguration of the narrative of post-Romantic music, fully and critically integrating female production, and culminates in the performative appreciation of their works through a final recital.
Description
Keywords
Compositoras pós-românticas Tradição violinística Música do século XIX-XX Estereótipos de género e raça França Estados Unidos da América Post-romantic female composers Violin tradition 19th-20th century music Gender and race stereotypes France United States of America