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Publication
Das vozes que me cantam à voz que entoo
| Name: | Description: | Size: | Format: | |
|---|---|---|---|---|
| 7.73 MB | Adobe PDF |
Authors
Abstract(s)
Uma deriva poético-filosófica sobre as forças que constituem o real. A “voz” é aqui metáfora das paisagens ruidosas, estratificadas, mas também um fluxo de potências que atravessam o mundo, revelando um campo de tensões onde a diferença se afirma em cada repetição. A pesquisa quis fazer da criação como que gesto ritual ativador e reorganizador dessas forças, sem buscar uma origem ou uma verdade, mas deixando-as vibrar em suas aparições. Lógica constelar, jogo, perversão, estética de si, aqui a técnica vem como feitiço — uma articulação do sensível que faz do real espaço de montagem de percepções e afetos sempre provisórios. A lembrar que a queda da aura é abertura para o experimental. Por fim, uma defesa do simulacro, da interpretação da interpretação, este texto reinscreve a imagem como campo de luta, de atravessamentos e de vozes que se entoam umas às outras.
A poetic-philosophical drift on the forces that constitute the real. Here, “voice” stands as a metaphor for noisy, stratified landscapes, yet also for the flowing powers that traverse the world, revealing a field of tensions where difference asserts itself in every repetition. The research seeks to make creation a ritual gesture — one that activates and reorganizes these forces without pursuing origin or truth, allowing them instead to vibrate through their appearances. Constellar logic, play, perversion, aesthetics of the self: here, technique arises as a spell — a sensitive articulation that turns the real into a space of montage, where perceptions and affects remain always provisional. Recalling that the fall of the aura is an opening toward the experimental, the work ultimately defends the simulacrum, the interpretation of interpretation, reinscribing the image as a field of struggle, of crossings, and of voices that resound through one another.
A poetic-philosophical drift on the forces that constitute the real. Here, “voice” stands as a metaphor for noisy, stratified landscapes, yet also for the flowing powers that traverse the world, revealing a field of tensions where difference asserts itself in every repetition. The research seeks to make creation a ritual gesture — one that activates and reorganizes these forces without pursuing origin or truth, allowing them instead to vibrate through their appearances. Constellar logic, play, perversion, aesthetics of the self: here, technique arises as a spell — a sensitive articulation that turns the real into a space of montage, where perceptions and affects remain always provisional. Recalling that the fall of the aura is an opening toward the experimental, the work ultimately defends the simulacrum, the interpretation of interpretation, reinscribing the image as a field of struggle, of crossings, and of voices that resound through one another.
Description
Keywords
Imagem Ruído Ritual Simulacro Jogo Aura Ficção Image Noise Simulacrum Play Fiction