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Abstract(s)
Este trabalho surge no seguimento de reflexões diárias em torno dos problemas particulares da área da produção e outros que se relacionam com quase todas as áreas de um teatro nacional. Surge também da necessidade de preencher uma lacuna sobre o papel do produtor dando conhecimento ao público em geral. Neste sentido, pretendo dar a conhecer o trabalho de um produtor, enquadrando e questionando as suas funções num contexto de organização institucional e das práticas laborais em geral.
Ao longo da minha vida profissional, como produtora, fui-me deparando com algumas problemáticas que nunca deixaram de me inquietar.
Combinando a minha experiência pessoal com a transmitida pelos quatro produtores culturais entrevistados neste trabalho, foi paralelamente realizado um documentário sobre o dia-a-dia de uma produtora, em que apresento as encruzilhadas e os caminhos partilhados entre a produção e a criação de um processo criativo. Procuro contrapor às práticas comumente utilizadas na construção de um espectáculo, com práticas alternativas, que visam combater a ideia generalizada de que o trabalho da produção é uma função meramente executiva suportada por uma cada vez maior burocratização, hierarquização de funções e pouca participação naquilo que é o acto de criação.
This work is the result of daily reflections on the particular problems that theatre production faces and others that relate to almost all areas of a national theater. It also arises from the need to fill a gap in the role of the producer and make it known to the general public. In this sense, I intend to make the work of a producer known, framing and questioning its functions in the context of institutional organization and working practices in general. Throughout my professional life, as a producer, I have come across some issues that have never ceased to worry me. Combining my personal experience with that of the four cultural producers interviewed in this work, a documentary was made about the day-to-day life of a producer, in which I present the crossroads and paths shared between the production and creation of a creative process. I try to counter the practices commonly used in the construction of a show with alternative practices, which aim to combat the widespread idea that production work is a purely executive function supported by ever-increasing bureaucratization, hierarchization of functions and little participation in what is the act of creation.
This work is the result of daily reflections on the particular problems that theatre production faces and others that relate to almost all areas of a national theater. It also arises from the need to fill a gap in the role of the producer and make it known to the general public. In this sense, I intend to make the work of a producer known, framing and questioning its functions in the context of institutional organization and working practices in general. Throughout my professional life, as a producer, I have come across some issues that have never ceased to worry me. Combining my personal experience with that of the four cultural producers interviewed in this work, a documentary was made about the day-to-day life of a producer, in which I present the crossroads and paths shared between the production and creation of a creative process. I try to counter the practices commonly used in the construction of a show with alternative practices, which aim to combat the widespread idea that production work is a purely executive function supported by ever-increasing bureaucratization, hierarchization of functions and little participation in what is the act of creation.
Description
Keywords
Produção/criação Documentário Colectivo Caminhos partilhados - diário de uma produtora Production/creation Documentary Collective Shared paths - diary of a producer