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| 5.57 MB | Adobe PDF |
Authors
Abstract(s)
A presente dissertação procura tratar as implicações estéticas das peças compostas para o projecto final do Mestrado em Composição, as quais utilizam elementos musicais da tradição da música pop.
Para isso, é, preliminarmente, esboçado um enquadramento teórico para uma abordagem estética, cultural, social, política e musical do fenómeno da música pop.
São explicitadas, ainda, as técnicas e linguagens utilizadas ao longo do processo das suas composições, especificamente na sua relação com a música pop.
This current paper deals with the aesthetic implications of the pieces composed for the Master of Composition’s final project, which make use of musical elements from the pop tradition. A preliminary theoretical framework for an aesthetical, cultural, social, political and musical approach of the pop phenomenon is drafted beforehand. Moreover, the languages and techniques used for the composition of the pieces are expounded and clarified, specifically regarding their relation to pop music.
This current paper deals with the aesthetic implications of the pieces composed for the Master of Composition’s final project, which make use of musical elements from the pop tradition. A preliminary theoretical framework for an aesthetical, cultural, social, political and musical approach of the pop phenomenon is drafted beforehand. Moreover, the languages and techniques used for the composition of the pieces are expounded and clarified, specifically regarding their relation to pop music.
Description
Keywords
Composição Pop Tecnologia Teoria Pós-modernismo Estética Indústria cultural Composition Technology Theory Postmodernism Aesthetics Culture industry