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Abstract(s)
Este trabalho propõe-se investigar e refletir sobre a fundação e a história dos primeiros tempos de existência de um grupo de teatro amador: o CETA, tentando fazer a ponte com o meu próprio trabalho no seu seio e o significado do mesmo. Este estudo parte da consulta de material diverso (folhetos, cartazes, programas, noticias de jornais) e, sobretudo, das memórias de alguns fundadores e associados históricos, consubstanciadas em entrevistas gravadas. Recriou-se performaticamente, no CETA, e num único espetáculo, algum do conteúdo das conversas em áudio. Pretendeu-se aliar a criação artística à investigação académica de metodologia historiográfica, tendo como base a pesquisa de arquivo e a história oral. Procurou-se descobrir a importância do teatro para os jovens desta época, a formação técnica e humana fornecida pelo grupo aos associados e também as formas de censura existentes e a superação das mesmas. Este estudo pretende ser ainda um contributo para a construção de uma história sobre o CETA tentando retirar da invisibilidade a memória desta instituição de uma forma artística.
This paper aims to investigate and reflect on the foundation and history of the early days of an amateur theater group: CETA, trying to bridge the gap with my own work within it and its meaning. This study starts from the consultation of diverse material (leaflets, posters, programs, news of newspapers) and, above all, the memories of some founders and historical associates, embodied in recorded interviews. Performatically recreated, in CETA, and in a single show, some of the content of the audio conversations. It was intended to combine artistic creation with academic research of historiographical methodology, based on archive research and oral history. We sought to discover the importance of theater for young people of this era, the technical and human training provided by the group to the members and also the existing forms of censorship and overcoming them. This study also intends to be a contribution to the construction of a story about CETA trying to remove the memory of this institution in an artistic way.
This paper aims to investigate and reflect on the foundation and history of the early days of an amateur theater group: CETA, trying to bridge the gap with my own work within it and its meaning. This study starts from the consultation of diverse material (leaflets, posters, programs, news of newspapers) and, above all, the memories of some founders and historical associates, embodied in recorded interviews. Performatically recreated, in CETA, and in a single show, some of the content of the audio conversations. It was intended to combine artistic creation with academic research of historiographical methodology, based on archive research and oral history. We sought to discover the importance of theater for young people of this era, the technical and human training provided by the group to the members and also the existing forms of censorship and overcoming them. This study also intends to be a contribution to the construction of a story about CETA trying to remove the memory of this institution in an artistic way.
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Keywords
CETA (Círculo Experimental de Teatro de Aveiro) Memória História oral Teatro amador Teatro documental CETA (Experimental Circle of Aveiro Theater) Memory Oral history Amateur theater Documentary theater