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Abstract(s)
Este projeto de mestrado consistiu na criação de uma instalação – Walk Me - que explora o imaginário visual numa relação estreita com o som. Em particular, o propósito é que cada pessoa gere o seu imaginário, a partir das propostas sonoras, e, com base nesse imaginário, especificamente pela tomada de decisões ao longo da experiência, crie a sua narrativa.
A instalação consiste na audição individual de trechos sonoros com auscultadores, num espaço com pouco ruído visual e sonoro, na qual cada pessoa é lançada para dentro de uma sonoridade inicial. A narrativa é então construída perante os diferentes sons e sonoridades que vão surgindo, contando também com momentos em que o participante poderá tomar decisões que, arguciosamente, irão afetar o que adiante será dado a ouvir. Esse momento de decisão, consumado com recurso a uma interface, é ponto principal para animar o imaginário visual e evitar a monotonia, o hábito, a conformidade.
Foram feitas entrevistas semiabertas, após cada participante experimentar a instalação, a fim de conhecer a relação imaginária que cada pessoa estabeleceu com a experiência sonora proposta. Com esta conversa, pretendeu-se ir em busca do imaginário visual que surgiu a cada um, por forma a pensar como a experiência
atravessou as ressonâncias internas e deu sinal de si através das imagens desencadeadas que, por sua vez, foram trazidas à tona durante a entrevista.
Com base na análise aos comentários dos participantes, através da apreciação das notas redigidas durante a entrevista, notou-se que a esmagadora maioria dos participantes, não obstante serem empurrados para um mundo aberto de sonoridades sem fortes dependências causais, num contexto que até se assemelha a um jogo, projeta a sua vivência recente no seu imaginário visual.
This thesis project consisted in a sound art installation – Walk Me – who explores the relation between visual imagery and sound. The purpose of the installation is to each person creating their own imaginary space from the sound object who is presented. And with that imaginary, through the decisions made along the way, create their own narrative. The installation consists of an individual listening of various sound excerpts with headphones, within a small space with minimal light and noise, which each participant is released inside an initial sound. The narrative is created with the different sounds who emerge in the sound object, and the moments decision on the part of the participant, which is going to influence the rest of the course. This moment is completed through an interface, which is the main point for encourage the visual imagery in this way avoiding the monotony, the habit and the comfortable. In the aftermath of each participant experience the installation, some semi open interview was made, to know the imaginary relation which each person established with the sound experience presented. The intend of this conversation is to look for the visual imagery that emerged in each person, in order to think about how the experience crossed the internal resonances and gave a sign of itself through the triggered images, that were brought up during the interview. Based on the analysis of the comments of the participants, through the written notes during the interview, it was noted that the majority of the people, despite being pushed into an open world of sound without causal dependencies, and in a context that resembles with a game, projects their recent experiences into their visual imagination.
This thesis project consisted in a sound art installation – Walk Me – who explores the relation between visual imagery and sound. The purpose of the installation is to each person creating their own imaginary space from the sound object who is presented. And with that imaginary, through the decisions made along the way, create their own narrative. The installation consists of an individual listening of various sound excerpts with headphones, within a small space with minimal light and noise, which each participant is released inside an initial sound. The narrative is created with the different sounds who emerge in the sound object, and the moments decision on the part of the participant, which is going to influence the rest of the course. This moment is completed through an interface, which is the main point for encourage the visual imagery in this way avoiding the monotony, the habit and the comfortable. In the aftermath of each participant experience the installation, some semi open interview was made, to know the imaginary relation which each person established with the sound experience presented. The intend of this conversation is to look for the visual imagery that emerged in each person, in order to think about how the experience crossed the internal resonances and gave a sign of itself through the triggered images, that were brought up during the interview. Based on the analysis of the comments of the participants, through the written notes during the interview, it was noted that the majority of the people, despite being pushed into an open world of sound without causal dependencies, and in a context that resembles with a game, projects their recent experiences into their visual imagination.
Description
Keywords
Imagética visual Som Ressonâncias Narrativa Visual imagery Sound Resonance Narrative