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Abstract(s)
Tendo por tema genérico a existência de uma comunidade de pescadores na Cantareira, no centro do Porto, este trabalho tem como objetivo compreender como se processa a realização de um filme em que se tentam assimilar as regras do Cinema Verité e de um realizador que não se pode abster de participar no documentário. A procura pela intimidade com os intervenientes no filme é alvo de estudo e de investigação, de forma a encontrar o dispositivo fílmico que melhor se adequa às necessidades da obra.
O produto final deste trabalho materializa-se no documentário “Cantareira”, um filme que acompanha o dia-a-dia de duas famílias da comunidade, tentando mostrar-se o mais próximo possível das pessoas que confiaram em nós para contarmos a sua história.
A opção por uma equipa reduzida, com apenas dois elementos, é também um dos pontos de análise deste trabalho, já que, neste caso, esta opção ajudou na nossa proximidade com os elementos da comunidade, mas também colocou alguns entraves no desenrolar dos trabalhos.
The general theme of this work is the existence of a fishing community in the area of Cantareira, in the centre of Porto. But this work it is also aimed at understanding how to direct a film in which one tries to apply the rules of Cinéma Vérité and of a director who cannot refrain from participating in the documentary. We also study and investigate the search for intimacy with the participants in order to find the filmic device that better suits the needs of the film. The final product of this work is the documentary “Cantareira”, a film that shows the everyday life of two families in the community while trying to present an image as close to possible of the people who trusted us to tell their story. The choice of a reduced team of only two elements is also a matter of analysis in this paper, because this option was important for getting close to the community, although it also created some obstacles along the way.
The general theme of this work is the existence of a fishing community in the area of Cantareira, in the centre of Porto. But this work it is also aimed at understanding how to direct a film in which one tries to apply the rules of Cinéma Vérité and of a director who cannot refrain from participating in the documentary. We also study and investigate the search for intimacy with the participants in order to find the filmic device that better suits the needs of the film. The final product of this work is the documentary “Cantareira”, a film that shows the everyday life of two families in the community while trying to present an image as close to possible of the people who trusted us to tell their story. The choice of a reduced team of only two elements is also a matter of analysis in this paper, because this option was important for getting close to the community, although it also created some obstacles along the way.
Description
Keywords
Realização Cantareira Cinema participativo Directing Participatory cinema