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Authors
Advisor(s)
Abstract(s)
Com o passar do tempo, as letras passaram a estar presentes em todos os
lugares. A tipografia manifesta-se em restaurantes, cafés, lojas comerciais, jardins, salas
de cinema, praças, museus, sinais de trânsito, estações de comboios, paragens de
autocarros ou azulejos publicitários.
Assim, este estudo tem como objetivo a união do design com o azulejo na
construção de um sistema tipográfico constituído por quatro fontes: serifada, grotesca,
stencil e monoespaçada.
Numa primeira fase, recorreu-se à revisão da literatura para fundamentar o
desenvolvimento dos conceitos base para a presente investigação: tipografia e azulejo.
Adicionalmente, para aprofundar a compreensão do objeto de estudo, recorreu-se à
recolha e análise de estudos de caso.
Posteriormente, numa segunda fase foram investigadas as possíveis formas do desenho
de letras recorrendo-se a um estudo da tabela de derivação de carateres. Numa terceira
fase através de metodologias informadas pelo design, colocaram-se em prática todos os
conhecimentos investigados resultando na criação de um sistema tipográfico.
Os resultados exibem múltiplas formas de aplicação, em variados suportes, através do
uso de letras ou de padrões. Desta forma, através deste sistema tipográfico, o utilizador
consegue usufruir da criação de títulos, através de uma fonte ou da junção de várias,
mesmo que todas não partilhem das mesmas proporções. Além disso, a versão stencil
foi desenvolvida como elo de ligação ao padrão de azulejo, permitindo a criação de
padrões através da junção de letras. Em similaridade, o projeto também permite a
criação de bordas e padrões que podem aplicar-se em diversos suportes através da
rotação e inversão de um módulo, ampliando o seu potencial de contributo para o
design.
Over time, letters have appeared everywhere. Typography is expressed in restaurants, cafés, stores, gardens, cinemas, squares, museums, traffic signs, train stations, bus stops and advertising tiles. The aim of this study is to combine design and tiles in the construction of a typographic system made up of four fonts: serif, grotesque, stencil and monospaced. In the first phase, a literature review was used to support the development of concepts based on work already carried out by researchers with a common interest. Then, in a second phase, the possible forms of letter design were investigated using a study of the character derivation table. In a third phase, the research was implemented, resulting in the creation of a typographic system. The results show multiple forms of application on various media through the use of letters or patterns. Thus, through this typographic system, the user can enjoy the creation of titles, through one font or the combination of several, all of which share the same proportions. In addition, the stencil version was developed as a connector to the tile pattern, allowing patterns to be created by joining letters together. Similarly, the project also allows for the creation of borders and patterns that can be applied to various supports by rotating and inverting a module, expanding its potential contribution to design.
Over time, letters have appeared everywhere. Typography is expressed in restaurants, cafés, stores, gardens, cinemas, squares, museums, traffic signs, train stations, bus stops and advertising tiles. The aim of this study is to combine design and tiles in the construction of a typographic system made up of four fonts: serif, grotesque, stencil and monospaced. In the first phase, a literature review was used to support the development of concepts based on work already carried out by researchers with a common interest. Then, in a second phase, the possible forms of letter design were investigated using a study of the character derivation table. In a third phase, the research was implemented, resulting in the creation of a typographic system. The results show multiple forms of application on various media through the use of letters or patterns. Thus, through this typographic system, the user can enjoy the creation of titles, through one font or the combination of several, all of which share the same proportions. In addition, the stencil version was developed as a connector to the tile pattern, allowing patterns to be created by joining letters together. Similarly, the project also allows for the creation of borders and patterns that can be applied to various supports by rotating and inverting a module, expanding its potential contribution to design.
Description
Relatório de estágio
Keywords
Tipografia vernacular Azulejo publicitário Padrão Design de tipos Sistema tipográfico Vernacular typography Publicity tile Pattern Type design Typographic system