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Authors
Abstract(s)
Apesar de apresentarem mecanismos de produção de som completamente distintos, tanto o piano como o órgão utilizam o teclado como ponte entre o instrumentista e o instrumento. Performances de pianistas ao órgão e de organistas ao piano são por isso relativamente frequentes. Há, para além disso, uma considerável partilha de reportório entre os dois instrumentos, quer por meio de adaptações quer por meio de transcrições,
acompanhadas por uma ampla produção bibliográfica que foi procurando estabelecer diretrizes para a prática de transcrições de órgão para piano e vice-versa.
A partir dum estudo comparativo entre a) duas obras de Bach para órgão — “Ich ruf zu dir, Herr Jesu Christ” BWV 639 e o Prelúdio e Fuga em Dó M BWV 547 e as suas transcrições para piano, respetivamente realizadas por Busoni e Liszt e b) as Variations Sérieuses para piano de Mendelssohn e a sua transcrição para
órgão da autoria de Reitze Smits, pretende-se perceber até que ponto as opções tomadas pelos transcritores e as estratégias interpretativas que elas sugerem se relacionam com as características organológicas de cada um dos instrumentos.
Although they present completely different mechanisms of sound production, both the piano and the organ use the keyboard as a bridge between the instrumentalist and the instrument. Performances by pianists on the organ and organists on the piano are therefore relatively frequent. There is also a considerable sharing of repertoire between the two instruments, whether by means of adaptations or transcriptions, which has been accompanied by an ample production of bibliography that has sought to establish guidelines for the practice of transcriptions from organ to piano and vice-versa. Based on a comparative study between a) two works by Bach for organ - "Ich ruf zu dir, Herr Jesu Christ" BWV 639 and the Prelude and Fugue in C M BWV 547 and their piano transcriptions, respectively done by Busoni and Liszt and b) Mendelssohn's Variations Sérieuses for piano and his transcription for organ by Reitze Smits, the aim is to understand to what extent the options taken by the transcribers and the interpretative strategies they suggest are related to the organological characteristics of each of the instruments.
Although they present completely different mechanisms of sound production, both the piano and the organ use the keyboard as a bridge between the instrumentalist and the instrument. Performances by pianists on the organ and organists on the piano are therefore relatively frequent. There is also a considerable sharing of repertoire between the two instruments, whether by means of adaptations or transcriptions, which has been accompanied by an ample production of bibliography that has sought to establish guidelines for the practice of transcriptions from organ to piano and vice-versa. Based on a comparative study between a) two works by Bach for organ - "Ich ruf zu dir, Herr Jesu Christ" BWV 639 and the Prelude and Fugue in C M BWV 547 and their piano transcriptions, respectively done by Busoni and Liszt and b) Mendelssohn's Variations Sérieuses for piano and his transcription for organ by Reitze Smits, the aim is to understand to what extent the options taken by the transcribers and the interpretative strategies they suggest are related to the organological characteristics of each of the instruments.
Description
Keywords
Piano Órgão Transcrição Teclado Articulação Dinâmicas Organ Transcription Keyboard Articulation Dynamics