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Abstract(s)
Este estudo tem como principal objetivo refletir sobre o papel desempenhado pelo produtor criativo no processo produtivo do documentário português.
Neste âmbito, é pertinente compreender os atributos que lhe estão subjacentes, a sua intervenção na conceção artística do documentário, a consequente influência que este exerce sobre o filme e, ainda, proceder à análise do impacto que os constrangimentos financeiros têm na estrutura produtiva do documentário, em Portugal.
Através de uma pesquisa qualitativa de caráter exploratório, com recurso ao estudo de caso do documentário “Pirotecnia” e a entrevistas realizadas a profissionais especializados no género, apresenta-se um projeto teórico prático que ilustra a importância do produtor criativo no documentário e da permanente relação de comunicação entre produtor e realizador.
This study aims to reflect on the role of the creative producer in the production process of the Portuguese documentary In this context, it is pertinent to understand the attributes that underlie it, its intervention in the artistic design of the documentary, the resulting influence it has on the film, and also to examine the impact that financial constraints have on the productive structure of the documentary in Portugal. Through a qualitative research of an exploratory nature, using the case study of the documentary "Pyrotechnics" and interviews with professionals specialized in genre, presents a theoretical and practical project that illustrates the importance of the creative producer on the documentary and the ongoing relationship communication between producer and director.
This study aims to reflect on the role of the creative producer in the production process of the Portuguese documentary In this context, it is pertinent to understand the attributes that underlie it, its intervention in the artistic design of the documentary, the resulting influence it has on the film, and also to examine the impact that financial constraints have on the productive structure of the documentary in Portugal. Through a qualitative research of an exploratory nature, using the case study of the documentary "Pyrotechnics" and interviews with professionals specialized in genre, presents a theoretical and practical project that illustrates the importance of the creative producer on the documentary and the ongoing relationship communication between producer and director.
Description
Keywords
Produtor Criatividade Produtor criativo Documentário "Pirotecnia" Producer Creativity Creative producer Documentary