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Efeitos do conservadorismo na comunidade queer de Lamego (documentário acompanhado de ensaio sobre minorias no cinema)
| Name: | Description: | Size: | Format: | |
|---|---|---|---|---|
| 14.3 MB | Adobe PDF |
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Abstract(s)
Este ensaio procura compreender de que forma o cinema representa minorias sexuais e como o documentário pode atuar como ferramenta de visibilidade e transformação social.
A componente teórica inicia-se com a contextualização histórica das personagens queer no cinema clássico de Hollywood, analisando estereótipos e códigos visuais que moldaram a sua representação. Segue-se a abordagem ao movimento New Queer Cinema, que, nos anos 1990, propôs novas estratégias políticas e estéticas, contestando a exclusão histórica de identidades dissidentes.
Na componente prática, analisa-se o documentário Fora, projeto final realizado no âmbito do mestrado, que retrata experiências queer num ambiente conservador, evidenciando tensões entre pertença e exclusão.
São discutidas as decisões estéticas, narrativas e éticas do processo, incluindo o uso de material de arquivo, a construção simbólica de personagens e o papel da música na narrativa.
Este percurso culmina no cruzamento da investigação teórica com o desenvolvimento prático do projeto final, com a análise do processo de desenvolvimento do documentário Fora sob a perspetiva da realização.
This essay seeks to understand how cinema represents sexual minorities and how documentary filmmaking can act as a tool for visibility and social transformation. The theoretical component begins with a historical contextualization of queer characters in classic Hollywood cinema, analysing stereotypes and visual codes that shaped their representation. It then addresses the New Queer Cinema movement, which, in the 1990s, proposed new political and aesthetic strategies, challenging the historical exclusion of dissident identities. The practical component analyses Fora, the final master’s project, which portrays queer experiences in a conservative environment, highlighting the tensions between belonging and exclusion. The discussion focuses on the aesthetic, narrative, and ethical decisions of the process, including the use of archival material, the symbolic construction of characters, and the role of music in the narrative. This path culminates in the intersection between theoretical research and the practical development of the final project, with an analysis of the making of Fora from the perspective of its direction.
This essay seeks to understand how cinema represents sexual minorities and how documentary filmmaking can act as a tool for visibility and social transformation. The theoretical component begins with a historical contextualization of queer characters in classic Hollywood cinema, analysing stereotypes and visual codes that shaped their representation. It then addresses the New Queer Cinema movement, which, in the 1990s, proposed new political and aesthetic strategies, challenging the historical exclusion of dissident identities. The practical component analyses Fora, the final master’s project, which portrays queer experiences in a conservative environment, highlighting the tensions between belonging and exclusion. The discussion focuses on the aesthetic, narrative, and ethical decisions of the process, including the use of archival material, the symbolic construction of characters, and the role of music in the narrative. This path culminates in the intersection between theoretical research and the practical development of the final project, with an analysis of the making of Fora from the perspective of its direction.
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Trabalho de projeto
Keywords
Representação queer Estereótipos New Queer Cinema Documentário Conservadorismo Realização Queer representation Stereotypes Documentary Conservatism Directing