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Authors
Advisor(s)
Abstract(s)
Reconhecer as flores como seres detentores de movimento com capacidades de criação cénica potenciou o desenvolvimento da temática de investigação - FLORISCÓPIO: Uma ponte entre o ser natural e o ser humano - projeto teatral e investigação cénica; um projeto que coloca em diálogo o corpo do ator, a reescrita da obra de Wedekind O Despertar da Primavera e a natureza, a flor.
A investigação, baseada na observação e análise do corpo do ator, tanto teórica como prática, potencia a criação cénica dando-lhe as bases necessárias para o seu desenvolvimento e sustento.
Tomando como fontes o caderno de anotações e outros registos do processo, os depoimentos dos participantes e observadores, bem como das memórias da encenadora, este trabalho discute as motivações, influências, escolhas e experimentações realizadas para a elaboração do projecto FLORISCÓPIO.
Recognizing flowers as beings with movement boosted the scenic creation and the development of the research theme - FLORISCOPE: A Bridge between the natural being and the human being - a theatrical project and scenic investigation, it is a project that puts the actor’s body in dialogue with the rewriting of Wedekind’s Spring Awakening and Nature, the flower. The investigation, based on the observation and analysis of the actor’s body, both theoretically and practically, enhances the scenic creation giving it the necessary bases for its development and sustenance. Taking as sources the notebook and other records of the process, the testimonies of the participants and observers and the director’s memories, this work discusses the motivations, influences, choices, and experiments carried out for the elaboration of the FLORISCÓPIO project.
Recognizing flowers as beings with movement boosted the scenic creation and the development of the research theme - FLORISCOPE: A Bridge between the natural being and the human being - a theatrical project and scenic investigation, it is a project that puts the actor’s body in dialogue with the rewriting of Wedekind’s Spring Awakening and Nature, the flower. The investigation, based on the observation and analysis of the actor’s body, both theoretically and practically, enhances the scenic creation giving it the necessary bases for its development and sustenance. Taking as sources the notebook and other records of the process, the testimonies of the participants and observers and the director’s memories, this work discusses the motivations, influences, choices, and experiments carried out for the elaboration of the FLORISCÓPIO project.
Description
Keywords
O Despertar da Primavera (Wedekind) Teatro físico Crescimento Trabalho coletivo Sensações Natureza (flores) Corpo do ator Spring Awakening (Wedekind) Physical theater Growth Collective work Sensations Nature (flowers) Actor's body