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Inserido no contexto da curta-metragem Henry!, este projeto tem como objetivo desenvolver uma visão criativa sobre a criação sonora e musical de um filme. Com base
no trabalho de autores como Walter Murch e Liz Greene, num enquadramento teórico
e contextual, farei as minhas próprias análises de trechos de filmes, seguindo com uma
desconstrução da banda sonora do filme Henry!, e concluindo com observações sobre
o que foi feito. É pretendido responder a questões como: qual a relação que deve ser
estabelecida entre o departamento do som e o realizador? Até que ponto o design de
som e a composição musical podem trabalhar juntos para sustentar a história de um
filme? Que tipo de trabalho a fusão dessas duas disciplinas envolverá na fase de pré-produção e na rodagem? Que tipo de tratamento devem ter os diálogos, de modo que
não sejam prejudicados pela restante massa sonora que os envolve (design de som,
música e foley)?
É com esperança que o entusiasmo presente no desenvolver deste projeto, seja aparente e apele à mesma postura por parte do leitor principiante interessado em
integrar-se neste mundo do trabalho no cinema.
In the context of the short film Henry!, this project aims to develop a creative vision of the sound and musical creation of a film. Based on the work of authors such as Walter Murch and Liz Greene, in a theoretical framework, I will make my own analysis of film excerpts, following with a deconstruction of the soundtrack of the film Henry!, and concluding with some observations of what was done. This project intends to answer questions such as: what kind of relationship should be built between the department of sound and the director? To what extent can sound design and musical composition work together to support a film’s story? What kind of work does that merging of the two subjects involve in pre-production and the shooting days? What kind of treatment should the dialogues have so that they are not harmed by the remaining sound elements that surround them (sound design, music and foley)? Hopefully, the kind of enthusiasm had throughout the process of this project is noticeable and contagious to those who are interested in starting work in the field of cinema.
In the context of the short film Henry!, this project aims to develop a creative vision of the sound and musical creation of a film. Based on the work of authors such as Walter Murch and Liz Greene, in a theoretical framework, I will make my own analysis of film excerpts, following with a deconstruction of the soundtrack of the film Henry!, and concluding with some observations of what was done. This project intends to answer questions such as: what kind of relationship should be built between the department of sound and the director? To what extent can sound design and musical composition work together to support a film’s story? What kind of work does that merging of the two subjects involve in pre-production and the shooting days? What kind of treatment should the dialogues have so that they are not harmed by the remaining sound elements that surround them (sound design, music and foley)? Hopefully, the kind of enthusiasm had throughout the process of this project is noticeable and contagious to those who are interested in starting work in the field of cinema.
Descrição
Palavras-chave
Design de som Composição musical Banda sonora Edição do som Curta-metragem Sound design Music score Soundtrack Sound editing Short film