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Authors
Advisor(s)
Abstract(s)
O presente projeto consiste numa instalação de Videomapping urbano. Será criada
uma narrativa sobre um tema que represente a Cidade, a Pesca na sua forma
artesanal. Foi selecionado o Mural localizado num edifício devoluto nos terrenos da
antiga Seca do Bacalhau, em Vila do Conde.
A motivação para a realização deste projeto passa por utilizar uma técnica de
exibição multimédia sobre uma reconhecida obra de arte na cidade de Vila do
Conde, e desta forma, aliar as novas tecnologias do audiovisual às tradicionais
formas artísticas, como é o caso das pinturas de murais, e incutir no público que,
apesar dos murais de pintura serem representações estáticas, consegue-se
imaginá-las em movimento, e com isto, corporizar a mensagem da obra.
O uso da técnica do Videomapping sobre este mural tem como objetivo conferir a
esta obra de arte um novo impacto face aquele que o povo de Vila do Conde se foi
habituando, isto é, ver a pintura que naturalmente é estática numa mensagem que
passará a ser contada com dinâmica visual e sonora. O sucesso deste projeto obterá
certamente um incremento na valorização cultural e monumental do mural, e
representará de forma mais profunda umas das facetas representativa da
identidade da cidade. Com esta valorização, o objetivo passa também por uma
maior divulgação dos movimentos culturais da cidade de Vila do Conde e de um
maior conhecimento sobre a atividade ancestral da seca do bacalhau que poucos
vilacondenses verdadeiramente compreendem.
Irá também louvar as funcionárias que lá trabalharam durante anos e uma direção
que sempre esteve a cargo de uma geração familiar.
O mural é da autoria da artística plástica Isabel Lhano, que a própria executou com
a colaboração de Marco Castiço e Miguel Pipa, ambos do Núcleo de Arte Urbana de
Vila do Conde, e o seu filho, Luís Costa. A mensagem patente neste mural é a
Memória da atividade que se desenvolvia no século passado na cidade de Vila do
Conde, e que se extinguiu na década de 90: "A Seca do Bacalhau".
This project consists of an urban Videomapping installation. A narrative will be created on a theme that represents the City, Fishing in its artisanal form. The Mural was selected, located in a vacant building in the grounds of the old Seca do Bacalhau, in Vila do Conde. The motivation for this project is to use a multimedia exhibition technique about a recognized work of art in the city of Vila do Conde, and in this way, to combine the new audiovisual technologies with traditional artistic forms, as is the case of wall paintings, and instill in the public that, although the painting murals are static representations, one can imagine them in movement, and with this, embody the message of the work. The use of the Videomapping technique on this mural aims to give this work of art a new impact in the face of what the people of Vila do Conde have become used to, that is, to see the painting that is naturally static in a message that will be counted with visual and sound dynamics. The success of this project will certainly obtain an increase in the cultural and monumental value of the mural, and will represent in a deeper way one of the facets representative of the city's identity. With this valorization, the objective is also to make the cultural movements of Vila do Conde more known and to get to know the ancestral activity of the codfish drought that few people from vilacondenses truly understand. It will also praise the employees who worked there for years and a direction that was always in charge of a family generation. The mural was designed by Isabel Lhano, who performed it with the collaboration of Marco Castiço and Miguel Pipa, both from the Núcleo de Arte Urbana de Vila do Conde, and her son, Luís Costa. The message evident in this mural is the Memory of the activity that developed in the last century in the city of Vila do Conde, and that was extinguished in the 90's: "A Seca do Bacalhau".
This project consists of an urban Videomapping installation. A narrative will be created on a theme that represents the City, Fishing in its artisanal form. The Mural was selected, located in a vacant building in the grounds of the old Seca do Bacalhau, in Vila do Conde. The motivation for this project is to use a multimedia exhibition technique about a recognized work of art in the city of Vila do Conde, and in this way, to combine the new audiovisual technologies with traditional artistic forms, as is the case of wall paintings, and instill in the public that, although the painting murals are static representations, one can imagine them in movement, and with this, embody the message of the work. The use of the Videomapping technique on this mural aims to give this work of art a new impact in the face of what the people of Vila do Conde have become used to, that is, to see the painting that is naturally static in a message that will be counted with visual and sound dynamics. The success of this project will certainly obtain an increase in the cultural and monumental value of the mural, and will represent in a deeper way one of the facets representative of the city's identity. With this valorization, the objective is also to make the cultural movements of Vila do Conde more known and to get to know the ancestral activity of the codfish drought that few people from vilacondenses truly understand. It will also praise the employees who worked there for years and a direction that was always in charge of a family generation. The mural was designed by Isabel Lhano, who performed it with the collaboration of Marco Castiço and Miguel Pipa, both from the Núcleo de Arte Urbana de Vila do Conde, and her son, Luís Costa. The message evident in this mural is the Memory of the activity that developed in the last century in the city of Vila do Conde, and that was extinguished in the 90's: "A Seca do Bacalhau".
Description
Trabalho de projeto
Keywords
Videomapping Arte urbana Cultura Pintura de mural Street art Culture Mural painting