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Authors
Abstract(s)
Este relatório consiste numa reflexão, tendo em conta, a experiência vivida ao longo das fases de pré-produção, rodagem e pós-produção, do filme A Parideira, na posição de Director de Fotografia. O filme A Parideira surge no âmbito do projecto de Mestrado em Comunicação Audiovisual com especialização em Produção e Realização, da Escola Superior de Música e Artes do Espectáculo do Instituto Politécnico do Porto.
Como em todos os projectos cinematográficos, este não é excepção no que toca à quantidade de departamentos, o que o distingue dos outros, é o volume da equipa muito mais reduzido, portanto às actividades são mais compartidas entre departamentos, por isso a ligação do departamento de imagem com todos os outros departamentos é bem patente neste relatório. Ao longo de todas as fases pelas quais o projecto passou, as funções atribuídas a cada uma das pessoas envolvidas na criação desta curta metragem, estiveram sempre ligadas entre si só assim poderia ser desenvolvida a coesão e coerência alcançadas.
Como Parideiro, meu grifo, o trabalho que desenvolvi em redor dos elementos visuais do filme foi bastante intenso, desde reperador, aderecista, cenógrafo, operador de câmara e direcção de fotografia, é possível acompanhar todas as fases de produção através do desenrolar de todas estas actividades executadas por mim, e compartidas com os meus colegas de trabalho. Este relatório é testemunha disso.
This report is a reflection, taking into account the experience lived along the stages of pre-production, shooting and postproduction, the film A Parideira in the position of Director of Photography. The movie A Parideira appears in the course of the Master in Audiovisual Communication with specialization in Production and Directing of the School of Music and Performing Arts of the Polytechnic Institute of Porto. As with all film projects, this is no exception regarding the quantity of departments, what distinguishes him from the others, is the small team volume, therefore activities are more shared interdepartmentally, therefore the linking of the department of image with all the other departments, is evident in this report. Throughout all the stages of the project the functions assigned to each of the members of the team involved in creating this short film, were always linked together, only that way could be developed the cohesion and coherence achieved. As a Parideiro, my emphasis, the work developed around the visual elements of the film was very intense, since location scouting, prop master, set designer, camera operator and cinematographer, you can track all stages of production throughout the course of all these activities carried out by me, and shared with my co-workers. This report is a witness of it.
This report is a reflection, taking into account the experience lived along the stages of pre-production, shooting and postproduction, the film A Parideira in the position of Director of Photography. The movie A Parideira appears in the course of the Master in Audiovisual Communication with specialization in Production and Directing of the School of Music and Performing Arts of the Polytechnic Institute of Porto. As with all film projects, this is no exception regarding the quantity of departments, what distinguishes him from the others, is the small team volume, therefore activities are more shared interdepartmentally, therefore the linking of the department of image with all the other departments, is evident in this report. Throughout all the stages of the project the functions assigned to each of the members of the team involved in creating this short film, were always linked together, only that way could be developed the cohesion and coherence achieved. As a Parideiro, my emphasis, the work developed around the visual elements of the film was very intense, since location scouting, prop master, set designer, camera operator and cinematographer, you can track all stages of production throughout the course of all these activities carried out by me, and shared with my co-workers. This report is a witness of it.
Description
Keywords
Cinema Cinematografia Enquadramento Luz Cor Cinematography Framing Light Color