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A presente monografia tem como objetivo analisar a relação entre a música de Arnold Schoenberg e Johannes Brahms, partindo das obras apresentadas no recital final de mestrado em piano. O foco desta análise incide sobre as características composicionais que Schoenberg integra no seu processo criativo e cuja origem esteja intimamente ligada à tradição Germânica e particularmente a Brahms. Paralelamente, procurar atribuir uma perspetiva histórica à sua linguagem idiomática.
The goal of this essay is to analyse the connection between the music of Arnold Schoenberg and Johannes Brahms, having as a basis the works performed on the final master’s piano recital. The focus of this analysis is on the compositional aspects whose origin is intimately connected with the German tradition and specifically Brahms, that Schoenberg then integrates into his creative process. Simultaneously, to also attribute an historical perspective to his idiomatic language.
The goal of this essay is to analyse the connection between the music of Arnold Schoenberg and Johannes Brahms, having as a basis the works performed on the final master’s piano recital. The focus of this analysis is on the compositional aspects whose origin is intimately connected with the German tradition and specifically Brahms, that Schoenberg then integrates into his creative process. Simultaneously, to also attribute an historical perspective to his idiomatic language.
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Schoenberg Brahms Developing variation Fraseado assimétrico Organização formal Asymmetrical phrasing Formal structure