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Abstract(s)
Neste Projeto partimos dos universos da nostalgia e da memĆ³ria das raĆzes, do exĆlio e do luto pela impossibilidade de retorno. Procuramos contribuir para uma repossibilitaĆ§Ć£o artĆstica destes conceitos e desafiamo-nos a construir um objeto performativo a partir deles.
Contributos para uma materializaĆ§Ć£o performativa interdisciplinar a partir do conceito de nostalgia procura abrir espaƧo Ć afirmaĆ§Ć£o do eufĆ³nio no contexto das prĆ”ticas performativas contemporĆ¢neas. Nela cruzam-se os territĆ³rios da voz, da notaĆ§Ć£o grĆ”fica, da improvisaĆ§Ć£o conceptual, e do vĆdeo, numa direĆ§Ć£o interdisciplinar.
No presente trabalho escrito fundamentamos o processo adotado na transformaĆ§Ć£o do conceito central de nostalgia, e na sua materializaĆ§Ć£o em performance. E refletimos sobre o papel da investigaĆ§Ć£o artĆstica aplicada na aproximaĆ§Ć£o a respostas Ć s questƵes centrais que nos acompanham neste processo criativo.
In this Project, we take the universes of nostalgia and memory of the roots, exile and mourning for the impossibility of returning. We search for possibilities of artistic expression that symbolize these universes, and we challenge ourselves to use them in a performative construction. Contributions to a materialization of an interdisciplinary performance from the concept of nostalgia seek to claim the position of the euphonium in the context of contemporary performance practices. It crosses the territories of voice, graphic notation, concept improvisation, video, in an interdisciplinary direction. In this dissertation, we explain the process that we used to transform the central concept of nostalgia, and how we materialized it in a performance. And we reflect about the role of the practiced based research in the approach to answers to the central questions which come out from this creative process.
In this Project, we take the universes of nostalgia and memory of the roots, exile and mourning for the impossibility of returning. We search for possibilities of artistic expression that symbolize these universes, and we challenge ourselves to use them in a performative construction. Contributions to a materialization of an interdisciplinary performance from the concept of nostalgia seek to claim the position of the euphonium in the context of contemporary performance practices. It crosses the territories of voice, graphic notation, concept improvisation, video, in an interdisciplinary direction. In this dissertation, we explain the process that we used to transform the central concept of nostalgia, and how we materialized it in a performance. And we reflect about the role of the practiced based research in the approach to answers to the central questions which come out from this creative process.
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Keywords
Nostalgia Performance EufĆ³nio Voz Partituras grĆ”ficas ImprovisaĆ§Ć£o conceptual Interdisciplinaridade Euphonium Voice Graphic scores Concept improvisation Interdisciplinary