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Publication
EntreLugares: autoetnografia sonora entre memória, presença e alteridade
| Name: | Description: | Size: | Format: | |
|---|---|---|---|---|
| 14.57 MB | Adobe PDF |
Authors
Abstract(s)
Esta investigação explora a fragmentação da identidade como ferramenta de resistência e integração, analisando seus impactos no sensível a partir de um conjunto autoetnográfico composto por narrativas, memórias, depoimentos, cartas, imagens e sons. EntreLugares propõe um processo de transdução, no qual sensações e memórias são convertidas em linguagem sonora, refletindo sobre os limites da expressão e da linguagem. O trabalho estabelece uma relação subjetiva entre as múltiplas dimensões que compõem a identidade e a criação de obras sonoras, promovendo uma reflexão crítica sobre alteridade, redes de afeto e práticas de escuta. A partir de uma experiência individual, a pesquisa se expande para dialogar com questões coletivas e sociais relacionadas à identidade, sexualidade e alteridade. Ao explorar a tensão entre o íntimo e o coletivo, o projeto transita entre esses espaços, materializando-se em um ensaio literário e um álbum sonoro.
This research explores the fragmentation of identity as a tool for resistance and integration, analyzing its impact on the sensitive through an autoethnographic collection composed of narratives, memories, testimonies, letters, images, and sounds. EntreLugares proposes a process of transduction, in which sensations and memories are converted into a sonic language, reflecting on the limits of expression and language itself. The work establishes a subjective relationship between the multiple dimensions that shape identity and the creation of sound works, fostering a critical reflection on alterity, networks of affection, and listening practices. Starting from an individual experience, the research expands to engage with collective and social issues related to identity, sexuality, and otherness. By exploring the tension between the intimate and the collective, the project moves between these spaces, materializing as a literary essay and a sound album.reflection on an individual experience but expands and engages with collective and social issues related to identity, sexuality, and alterity.
This research explores the fragmentation of identity as a tool for resistance and integration, analyzing its impact on the sensitive through an autoethnographic collection composed of narratives, memories, testimonies, letters, images, and sounds. EntreLugares proposes a process of transduction, in which sensations and memories are converted into a sonic language, reflecting on the limits of expression and language itself. The work establishes a subjective relationship between the multiple dimensions that shape identity and the creation of sound works, fostering a critical reflection on alterity, networks of affection, and listening practices. Starting from an individual experience, the research expands to engage with collective and social issues related to identity, sexuality, and otherness. By exploring the tension between the intimate and the collective, the project moves between these spaces, materializing as a literary essay and a sound album.reflection on an individual experience but expands and engages with collective and social issues related to identity, sexuality, and alterity.
Description
Keywords
Fragmentação da identidade Composição sonora Sexualidade Autoetnografia Alteridade Identity fragmentation Sound composition Sexuality Autoethnography Alterity