Publication
Spaces sing, are you listening?
| dc.contributor.author | Bernardes, Gilberto | |
| dc.contributor.author | Lopes, Filipe | |
| dc.contributor.author | Cardoso, Clara | |
| dc.date.accessioned | 2020-10-23T13:53:50Z | |
| dc.date.available | 2020-10-23T13:53:50Z | |
| dc.date.issued | 2018 | |
| dc.description.abstract | We present Soniferous Resonances, an ongoing collection of electroacoustic composition pieces that intersect music, digital technologies and architecture. The creative impetus supporting this research is grounded in the interchange of the following two concepts: 1) the phenomenological exploration of the aural architecture [1], particularly the reverberation as a sonic effect [2] through music performance and 2) the real time sound analysis of both the performance and the reverberation (i.e. impulse responses) intervallic content — which ultimately leads to a generic control over consonance/dissonance (C/D). Their conceptual and morphological nature can be understood as sonic improvisations where the interaction of sound producing bodies (e.g. saxophone) with the real (e.g. performance space) and the imaginary (i.e. computer) acoustic response of a space results in formal elements mirroring their physical surroundings. Particular emphasis is given to spectromorphological manipulations by a large array of “contrasting” digital reverberations with extended control over the sound mass [3] and its musical interval content across a continuum between pitched and consonant to unpitched and dissonant sounds. Two digital applications developed by the authors are seminal in Soniferous Resonances: Wallace [4] and MusikVerb [5]. The first is a navigable user-control surface that offers a fluid manipulation of audio signals to be convolved with several “contrasting” digital reverberations. The second offers refined (compositional) control over the interval content and/or C/D levels computed from the perceptually-inspired Tonal Interval Space [6] resulting in an automatically adaptation of harmonic content in real time. Soniferous Resonances aims at pushing the boundaries of musical performances that are formally tied to its surrounding space, as well as triggering new concepts and greater awareness about the sublime qualities of experiencing aural architecture. | pt_PT |
| dc.description.version | N/A | pt_PT |
| dc.identifier.uri | http://hdl.handle.net/10400.22/16355 | |
| dc.language.iso | eng | pt_PT |
| dc.publisher | MAAT | pt_PT |
| dc.relation.publisherversion | https://www.resite.org/files/resonate-program-brochure-web.pdf | |
| dc.title | Spaces sing, are you listening? | pt_PT |
| dc.type | conference object | |
| dspace.entity.type | Publication | |
| oaire.citation.conferencePlace | Lisbon, Portugal | pt_PT |
| oaire.citation.title | Resonate, Thinking Sound and Space | pt_PT |
| person.familyName | Lopes | |
| person.givenName | Filipe Cunha Monteiro Lopes | |
| person.identifier.ciencia-id | 5116-F254-CBF2 | |
| person.identifier.orcid | 0000-0002-5532-178X | |
| rcaap.rights | openAccess | pt_PT |
| rcaap.type | conferenceObject | pt_PT |
| relation.isAuthorOfPublication | 6660f2c4-29d7-4347-8bb6-78661ff78661 | |
| relation.isAuthorOfPublication.latestForDiscovery | 6660f2c4-29d7-4347-8bb6-78661ff78661 |
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