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Abstract(s)
A presente pesquisa tem como objetivo traçar um panorama histórico do Teatro Musical apresentando os caminhos trilhados pela coreografia. Analisando a trajetória dos musicais, percebemos a evolução da dança, que nos últimos anos tornou-se um elemento dramático dentro dos espetáculos. Neste contexto, notamos que um dos fatores essenciais para que isso ocorresse foi o surgimento e a evolução dos diretores-coreógrafos. Dessa forma, observando as biografias dos coreógrafos Agnes de Mille, Jerome Robbins, Bob Fosse e Susan Stroman, analisamos os seus musicais: “Oklahoma!”, “West Side Story”, “Sweet Charity” e “The Producers”, respectivamente. Além disso, discorremos sobre a adaptação das coreografias do Teatro Musical da Broadway para o Filme Musical de Hollywood, visto que todos estes espetáculos tiveram as suas versões cinematográficas criadas pelos próprios coreógrafos.
This research aims to trace a historical panorama of the Musical Theatre presenting the paths taken by the choreography. Analyzing the musical trajectory, we noticed the evolution of dance, which in recent years has become a dramatic element inside the shows. In this context, we notice that one of the essential factors for this to appear was the emergence and evolution of the director-choreographers. Thus, looking at the biographies of choreographers Agnes de Mille, Jerome Robbins, Bob Fosse and Susan Stroman, we analyze their musicals: "Oklahoma!", "West Side Story", "Sweet Charity" and "The Producers", respectively. In addition, we expatiated about the adaptation of the Broadway Musical Theater choreographies to the Hollywood Musical Film, since all of these shows had their cinematographic versions created by the respective choreographers.
This research aims to trace a historical panorama of the Musical Theatre presenting the paths taken by the choreography. Analyzing the musical trajectory, we noticed the evolution of dance, which in recent years has become a dramatic element inside the shows. In this context, we notice that one of the essential factors for this to appear was the emergence and evolution of the director-choreographers. Thus, looking at the biographies of choreographers Agnes de Mille, Jerome Robbins, Bob Fosse and Susan Stroman, we analyze their musicals: "Oklahoma!", "West Side Story", "Sweet Charity" and "The Producers", respectively. In addition, we expatiated about the adaptation of the Broadway Musical Theater choreographies to the Hollywood Musical Film, since all of these shows had their cinematographic versions created by the respective choreographers.
Description
Keywords
Teatro musical Coreografia Coreógrafos Diretores-coreógrafos Dança Filme musical Musical theatre Choreography Choreographers Director-choreographers Dance Musical film