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Advisor(s)
Abstract(s)
O objectivo principal deste trabalho consiste no levantamento das propostas mais bem documentadas pela
literatura importante para desenvolvimento de um solo de bateria. É claro que a melodia, a forma do tema, ou a métrica do compasso ou do ostinato sobre os quais se pretende executar aquele solo de bateria constituem níveis de dificuldade diferentes. Contudo, ele pode ser claro, conciso ou difuso, simples ou denso, melódico ou harmónico, incandescente, vulcânico e até caótico e desgovernado. Neste trabalho ficarão evidentes os mecanismos e as abordagens para desenvolver um solo de bateria.
The main objective of this work is to survey the best-documented proposals in the relevant literature for the development of a drum solo. It is clear that the melody, the form of the theme, or the meter of the measure or ostinato on which that drum solo is intended to be performed constitute different levels of difficulty. However, it can be clear, concise or diffuse, simple or dense, melodic or harmonic, incandescent, volcanic and even chaotic and ungoverned. In this work, the mechanisms and approaches to develop a drum solo will be evident.
The main objective of this work is to survey the best-documented proposals in the relevant literature for the development of a drum solo. It is clear that the melody, the form of the theme, or the meter of the measure or ostinato on which that drum solo is intended to be performed constitute different levels of difficulty. However, it can be clear, concise or diffuse, simple or dense, melodic or harmonic, incandescent, volcanic and even chaotic and ungoverned. In this work, the mechanisms and approaches to develop a drum solo will be evident.
Description
Keywords
Bateria Jazz Solo Desenvolvimento Drums Soloing Development