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Authors
Abstract(s)
A presente monografia assiste o Projeto de Mestrado em Teatro, área de especialização Interpretação/Encenação da ESMAE, com o título “Tu. E os Outros?”, onde se pretende retratar a influência das redes sociais na alteração do comportamento humano através do movimento do corpo dos intérpretes e sem recurso à palavra.
Rudolf Laban e Steve Paxton foram os practicioners tidos como base para a qualidade do movimento inicial, sendo que este movimento foi ganhando uma componente mais interpretativa e mais única ao longo do processo. O facto de se tratar de uma co-criação fez com que muito material fosse criado, dando várias
possibilidades à cena de crescer e se tornar única e com uma significância para todos os envolvidos.
Este trabalho encontra-se organizado em 4 capítulos que fazem uma abordagem desde os performers escolhidos para fundamentar parte do projeto até a forma como processo criativo evoluiu ao longo do tempo, passando pela referência da influência das redes sociais e o seu uso no quotidiano e a transformação que o ser humano passa por aceder e querer adaptar-se às mesmas.
As possíveis conclusões para este tema passam por uma análise das redes sociais como influentes para uma nova forma comportamental humana, que remete para um afastamento entre as pessoas no mundo real e aproximação das mesmas no mundo virtual, onde se conseguem difundir e criar um espetro de personalidades diferentes nas várias relações que estabelecem, bem como, pela reflexão sobre a pertinência deste projecto de criação cénica como forma de alcanar os objectivos propostos.
The present monograph assists the MA’s project in Theater, specialization in Acting and Direction studies from ESMAE, with the title "You. And the Others? ", where it is intended to portray the influence of social networks on the alteration of human behavior through the movement of the body of the interpreters and without using the word. Rudolf Laban and Steve Paxton were the practitioners taken as the basis for the quality of initial movement, and this movement was gaining a more interpretive and more unique component throughout the process. The fact that it was a co-creation made it much easier for material to be created, giving the scene several possibilities to grow and become unique and meaningful to all involved. This monograph it is organized in 4 chapters that do an approach from the chosen performers to start the creation until the way in which creative process evolved over time, passing through the reference of the influence of the social networks and their use in the daily life and the transformation that human beings need to get through to access and want to adapt to it. Finally a set of final notes for this theme, where an analysis of social networks as influential to a new human behavioral form, which refers to a distance between people in the real world and approximation of them in the virtual world, where they can spread and create a spectrum of personalities in the various relationships they establish.
The present monograph assists the MA’s project in Theater, specialization in Acting and Direction studies from ESMAE, with the title "You. And the Others? ", where it is intended to portray the influence of social networks on the alteration of human behavior through the movement of the body of the interpreters and without using the word. Rudolf Laban and Steve Paxton were the practitioners taken as the basis for the quality of initial movement, and this movement was gaining a more interpretive and more unique component throughout the process. The fact that it was a co-creation made it much easier for material to be created, giving the scene several possibilities to grow and become unique and meaningful to all involved. This monograph it is organized in 4 chapters that do an approach from the chosen performers to start the creation until the way in which creative process evolved over time, passing through the reference of the influence of the social networks and their use in the daily life and the transformation that human beings need to get through to access and want to adapt to it. Finally a set of final notes for this theme, where an analysis of social networks as influential to a new human behavioral form, which refers to a distance between people in the real world and approximation of them in the virtual world, where they can spread and create a spectrum of personalities in the various relationships they establish.
Description
Keywords
Teatro físico Performance Redes sociais Microgestos Relações interpessoais Tecnologias Physical theater Social networks Microgestures Interpersonal relations Technologies