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Authors
Abstract(s)
O texto, a modelação e a confeção para a concretização dos figurinos e a performance, suportados por um processo de pesquisa e criação, constituem o todo do Trabalho Final de Mestrado na modalidade Projeto da especialização de Figurino. De cariz teórico-prático, o estudo debruçou-se sobre o campo do Vestuário, procurando abordar articulações entre identidade e vestuário. É a partir da personagem Orlando do romance de Virginia Woolf que se cria o pretexto para pensar a relação entre essas duas esferas.
Através da análise e interpretação da referida obra estabelecem-se as coordenadas de pensamento que sugerem linhas orientadoras de investigação. O trabalho divide-se então em duas partes: uma pesquisa teórica sobre o vestuário como expressão de identidade, considerando as temáticas presentes em Orlando; e a elaboração de uma proposta de guarda-roupa cénico a partir do romance, tendo em conta as questões estudadas no enquadramento teórico.
The text, the patterning and the manufacturing used for the delivery of the costumes and the performance itself were supported by a research process and its conception, and are the main parts of the final work in this master's project in costume design. This theoretical-practical research has its focus on the articulations between identity and costume. The relationship between these two spheres is reflected upon the character of Orlando in Virginia Woolf's novel. Through the analysis and interpretation of this novel the line of thought is established and suggests the research's guiding lines. The work is divided in two parts: a theoretical research about the clothing as one’s identity expression, considering the thematics presented in Orlando; and the elaboration of scenic garments, taking into account the themes explored in the theoretical research.
The text, the patterning and the manufacturing used for the delivery of the costumes and the performance itself were supported by a research process and its conception, and are the main parts of the final work in this master's project in costume design. This theoretical-practical research has its focus on the articulations between identity and costume. The relationship between these two spheres is reflected upon the character of Orlando in Virginia Woolf's novel. Through the analysis and interpretation of this novel the line of thought is established and suggests the research's guiding lines. The work is divided in two parts: a theoretical research about the clothing as one’s identity expression, considering the thematics presented in Orlando; and the elaboration of scenic garments, taking into account the themes explored in the theoretical research.
Description
Keywords
Vestuário Identidade Aparência Género Ambiguidade Orlando Clothing Identity Appearance Gender Ambiguity