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Authors
Advisor(s)
Abstract(s)
O interesse crescente pela arte e design concebidas a partir de argila de
polímero e pesquisa realizada para o presente estudo revelam que ainda há informação
desconhecida desta área.
O presente estudo tem por objetivo a conceção de peças de joalharia
contemporânea inspiradas no Barro Preto de Bisalhães, peças essas feitas a partir de
argila de polímero.
Morfologicamente, o presente projeto desenvolveu-se da seguinte forma:
numa primeira fase abordou-se de forma teórica o Barro Preto de Bisalhães, a Joalharia
Contemporânea e a Argila de Polímero e como esta surgiu. Numa segunda fase
apresentou-se uma das metodologias de aprendizagem deste projeto, a plataforma
Patreon e a mentora do Patreon Atelier Piino, a designer Rita Botelho. Numa terceira
fase abordou-se o processo de idealização do presente projeto e toda a parte pratica
do mesmo, desde a realização de cortadores ao manuseamento do FIMO com também
a execução de testes dos modelos criados até aos resultados finais. Por fim, num breve
apontamento partilhou-se a experiência do Workshop RO.DA, workshop esse que
visava a experimentação e o toque do barro numa roda de oleiro.
Os resultados finais deste projeto revelaram a imagem final de todo um
processo de desconstrução e inspiração das cerâmicas de Barro Preto de Bisalhães. O
segmento teórico deste projeto contribuirá para um maior conhecimento sobre a arte
secular do Barro Preto de Bisalhães como também sobre a ainda desconhecida arte
feita com argila de polímero, para os designers e artistas e para o público em geral.
The growing interest in art and design conceived from polymer clay and the research carried out for the present study reveal that there is still unknown information in this area. This study aims to design contemporary jewelry pieces inspired by Black Pottery of Bisalhães, these pieces are made from polymer clay. Morphologically, this project was developed as follows: in the first phase, Black Pottery of Bisalhães, Contemporary Jewelry and Polymer Clay were approached in a theoretical way and how it came about. In the second phase, we developed one of the learning methodologies of this project,via the Patreon platform and the mentor of Patreon Atelier Piino, and the designer Rita Botelho. In the third phase, the process of idealization of the present project and all the practical work was approached, from the making of cutters to the handling of FIMO, as well as the execution of tests of the models created all the way up to the final results. Finally, in a brief note, the experience of Workshop RO.DA was shared, a workshop that aimed to experiment and touch clay in a potter's wheel. The final results of this project revealed the final image of an entire process of deconstruction and inspiration regarding the ceramics of Black Pottery of Bisalhães. The theoretical segment of this project will contribute to a better knowledge about the centenary art of Black Pottery of Bisalhães as well as about the still unknown art made with polymer clay, for designers and artists and also for the general public.
The growing interest in art and design conceived from polymer clay and the research carried out for the present study reveal that there is still unknown information in this area. This study aims to design contemporary jewelry pieces inspired by Black Pottery of Bisalhães, these pieces are made from polymer clay. Morphologically, this project was developed as follows: in the first phase, Black Pottery of Bisalhães, Contemporary Jewelry and Polymer Clay were approached in a theoretical way and how it came about. In the second phase, we developed one of the learning methodologies of this project,via the Patreon platform and the mentor of Patreon Atelier Piino, and the designer Rita Botelho. In the third phase, the process of idealization of the present project and all the practical work was approached, from the making of cutters to the handling of FIMO, as well as the execution of tests of the models created all the way up to the final results. Finally, in a brief note, the experience of Workshop RO.DA was shared, a workshop that aimed to experiment and touch clay in a potter's wheel. The final results of this project revealed the final image of an entire process of deconstruction and inspiration regarding the ceramics of Black Pottery of Bisalhães. The theoretical segment of this project will contribute to a better knowledge about the centenary art of Black Pottery of Bisalhães as well as about the still unknown art made with polymer clay, for designers and artists and also for the general public.
Description
Trabalho de projeto
Keywords
Joalharia contemporânea Barro preto de Bisalhães Design Contemporary jewelry Black pottery of Bisalhães