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Authors
Advisor(s)
Abstract(s)
O presente ensaio analisa a identificação do espectador com protagonistas
anti-heróis no cinema. A primeira fase do trabalho apresenta uma reflexão sobre os
motivos subjacentes a presença cada vez mais notória de narrativas com anti-heróis e porque razão o espectador se sente atraído por personagens que cometem
atos imorais e fogem as normas da sociedade. Realizou-se também um estudo
sobre os mecanismos mentais e as técnicas cinematográficas que permitem que o
espectador abandone o julgamento moral durante a Visualização do filme, de forma
a identificar-se com estas personagens. A segunda parte do ensaio foca-se na
análise das decisões da autora enquanto realizadora da curta-metragem “O
Abafador” e de que forma contribuíram para a criação de empatia. Concluiu-se que
a experiência fílmica é um processo extremamente pessoal, que depende de Vários
fatores externos, e que o recurso a técnicas de realização que contribuem
positivamente para a criação de empatia facilitam a identificação do espectador.
This essay analyzes the spectators, identification with anti-hero protagonists in cinema. The first segment of the essay presents a reflection on the reasons behind the increasing presence of narratives with anti-heroes and why the Viewer is attracted to characters who commit immorai acts and deviate from societal norms. A study was also conducted on the mental mechanisms and cinematographic techniques that allow the spectator to abandon moral judgment while watching the film in order to identify themselves with these characters. The second part of the essay focuses on the analysis of the author's decisions as the director of the short film "O Abafador" and how they contributed to the development of empathy. It was concluded that the filmic experience is an extremely personal process and depends on several external factors and that the use of directing techniques that contribute positiyely to the creation of empathy, facilitate the identification of the spectator.
This essay analyzes the spectators, identification with anti-hero protagonists in cinema. The first segment of the essay presents a reflection on the reasons behind the increasing presence of narratives with anti-heroes and why the Viewer is attracted to characters who commit immorai acts and deviate from societal norms. A study was also conducted on the mental mechanisms and cinematographic techniques that allow the spectator to abandon moral judgment while watching the film in order to identify themselves with these characters. The second part of the essay focuses on the analysis of the author's decisions as the director of the short film "O Abafador" and how they contributed to the development of empathy. It was concluded that the filmic experience is an extremely personal process and depends on several external factors and that the use of directing techniques that contribute positiyely to the creation of empathy, facilitate the identification of the spectator.
Description
Trabalho de projeto
Keywords
Empatia Anti-herói Espetador Identificação Cinema Empathy Antihero Spectator Identification