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Publication
Co-criação e colaboração: a relação na criação musical
| Name: | Description: | Size: | Format: | |
|---|---|---|---|---|
| 10.68 MB | Adobe PDF |
Authors
Abstract(s)
Este trabalho procura distinguir os diferentes tipos de relações que podem ocorrer entre instrumentistas e compositores através da co-criação e da colaboração. Para tal, analisamos em primeiro lugar o processo criativo do Fra Ensemble, assente na co-criação, e em seguida a experiência de colaboração com um compositor externo ao grupo, Carlos Azevedo.
Com um resultado final de duas obras escritas e a ser interpretadas no Recital Final percebemos que por vezes a colaboração e a co-criação podem não ser dois processos completamente distintos.
This work seeks to distinguish the different types of relationships that may occur between instrumentalists and composers through co-creation and collaboration. To this end, we first analyze the creative process of the Fra Ensemble, based on co-creation, and then the experience of collaborating with an external composer, Carlos Azevedo. With the final outcome of two works written and performed at the Final Recital, we realized that collaboration and co-creation are not always entirely distinct processes.
This work seeks to distinguish the different types of relationships that may occur between instrumentalists and composers through co-creation and collaboration. To this end, we first analyze the creative process of the Fra Ensemble, based on co-creation, and then the experience of collaborating with an external composer, Carlos Azevedo. With the final outcome of two works written and performed at the Final Recital, we realized that collaboration and co-creation are not always entirely distinct processes.
Description
Keywords
Relação Criação musical Co-criação Colaboração Improvisação Ensemble Relation Musical creation Co-creation Collaboration Improvisation