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Abstract(s)
Uma metodologia pessoal da construĆ§Ć£o de um espectĆ”culo onde se cruzam a peƧa āYermaā de Federico Garcia Lorca com a dramaturgia dos palos flamencos. A tentativa de obtenĆ§Ć£o de uma linguagem pluridisciplinar com intĆ©rpretes de flamenco (mĆŗsica e danƧa) e de teatro. Confronto com as metodologias usadas pela equipe da Companhia Eva la Yerbabuena.
Um contributo para a cultura flamenca, com o encontro dos elementos de teatralidade e possibilidades de teatralizaĆ§Ć£o no flamenco.
A personal methodology of making a show with the crossover of the play āYermaā by Federico Garcia Lorca with the dramaturgy of palos flamencos. The attempt to obtain a multidisciplinary language with performers coming from flamenco(dance and music) and theatre. Confrontations with the methodology of the team of Eva La Yerbabuena company. A contribute to flamenco culture, with the finding of. elements of theatricality and theatrical possibilities in flamenco.
A personal methodology of making a show with the crossover of the play āYermaā by Federico Garcia Lorca with the dramaturgy of palos flamencos. The attempt to obtain a multidisciplinary language with performers coming from flamenco(dance and music) and theatre. Confrontations with the methodology of the team of Eva La Yerbabuena company. A contribute to flamenco culture, with the finding of. elements of theatricality and theatrical possibilities in flamenco.
Description
Keywords
Flamenco Teatro DanƧa-teatro Federico Garcia Lorca Theatre Dance-theatre