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Estágio no Studio Eduardo Aires: prática e método no processo autoral em design
| Name: | Description: | Size: | Format: | |
|---|---|---|---|---|
| 70.59 MB | Adobe PDF |
Advisor(s)
Abstract(s)
Este relatório documenta e reflete criticamente sobre o estágio curricular realizado no Studio Eduardo Aires (SEA), no âmbito do Mestrado em Design Gráfico da ESMAD. A experiência teve como duplo propósito: consolidar competências técnicas e teóricas num contexto de prática profissional, e aprofundar uma reflexão sobre a temática da autoria em design. A escolha do SEA decorreu do interesse em observar e experienciar, num ambiente colaborativo e exigente, como se articulam decisões criativas e responsabilidades ao longo da prática projetual.
A vivência permitiu compreender a importância de uma postura metodológica crítica e adaptativa, mais do que de um estilo autoral formalmente reconhecível. Com base na análise de projetos concretos, o relatório explora as dinâmicas de coautoria, negociação e contributo partilhado que caracterizam a prática contemporânea.
Este estágio reforçou a compreensão do design enquanto disciplina permeável e em constante transformação, onde o autor se manifesta tanto nos gestos visíveis quanto nos processos menos evidentes, confirmando a complexidade e riqueza do fazer autoral na atualidade.
This report documents and critically reflects on the curricular internship undertaken at Studio Eduardo Aires (SEA) as part of the Master's in Graphic Design at ESMAD. The experience had a dual purpose: to consolidate technical and theoretical skills within a professional practice context, and to deepen the understanding of authorship in design. SEA was chosen due to the interest in observing and experiencing, within a collaborative and demanding environment, how creative decisions and responsibilities are articulated throughout the design process. The practical experience fostered an understanding of the importance of a critical and adaptive methodological approach, rather than a formally recognizable authorial style. Based on the analysis of concrete projects, the report explores the dynamics of co authorship, negotiation, and shared contribution that characterize contemporary design practice. This internship reinforced the understanding of design as a permeable and constantly evolving discipline, where authorship manifests in both visible gestures and less evident processes, confirming the complexity and richness of contemporary authorial practice.
This report documents and critically reflects on the curricular internship undertaken at Studio Eduardo Aires (SEA) as part of the Master's in Graphic Design at ESMAD. The experience had a dual purpose: to consolidate technical and theoretical skills within a professional practice context, and to deepen the understanding of authorship in design. SEA was chosen due to the interest in observing and experiencing, within a collaborative and demanding environment, how creative decisions and responsibilities are articulated throughout the design process. The practical experience fostered an understanding of the importance of a critical and adaptive methodological approach, rather than a formally recognizable authorial style. Based on the analysis of concrete projects, the report explores the dynamics of co authorship, negotiation, and shared contribution that characterize contemporary design practice. This internship reinforced the understanding of design as a permeable and constantly evolving discipline, where authorship manifests in both visible gestures and less evident processes, confirming the complexity and richness of contemporary authorial practice.
Description
Relatório de estágio
Keywords
Studio Eduardo Aires Design gráfico Autoria Autoria partilhada Metodologia de projeto Processo criativo Graphic design Authorship Shared authorship Project methodology Creative process