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Abstract(s)
Entre los siglos XII y XVI, el instrumento de arco da braccio ejerce un papel relevante en el acompañamiento instrumental de las voces. En ese momento, junto con el gran desarrollo de la música instrumental, emerge un nuevo instrumento, el violín, que recoge las principales características organológicas y musicales de sus antecesores. En el presente trabajo veremos el recorrido de este tipo de instrumento en relación a su contexto y repertorio, de acuerdo con el análisis de las fuentes, eso es, la iconografía, la documentación de la época, los restos materiales, así como la experimentación práctica con los instrumentos reconstruidos, sin olvidar su transformación organológica.
Para ello, esta disertación se divide en tres capítulos: 1) Tipología de fuentes 2) La Edad Media 3) El Renacimiento.
Between the 12th and 16th centuries, the bowed da braccio instrument played a significant role in the instrumental accompaniment of voices. At that time, along with the great development of instrumental music, a new instrument, the violin, appeared, which included the main organological and musical features of its predecessors. In the present work, we will join these instruments on a journey with regard to their context and repertoire, in accordance with an analysis of their sources, i.e. iconography, historical documents, material remains, as well as practical experience with reconstructed instruments, including their organological transformation. To that end, this work will be divided into three chapters: 1) Typology of sources 2) The Middle Ages and the 3) Renaissance.
Between the 12th and 16th centuries, the bowed da braccio instrument played a significant role in the instrumental accompaniment of voices. At that time, along with the great development of instrumental music, a new instrument, the violin, appeared, which included the main organological and musical features of its predecessors. In the present work, we will join these instruments on a journey with regard to their context and repertoire, in accordance with an analysis of their sources, i.e. iconography, historical documents, material remains, as well as practical experience with reconstructed instruments, including their organological transformation. To that end, this work will be divided into three chapters: 1) Typology of sources 2) The Middle Ages and the 3) Renaissance.
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Keywords
Violín Instrumentos de arco Da braccio Europa Norte de Italia Reconstrucción Organología Práctica interpretativa Vièle Rebec Lira da braccio