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Authors
Abstract(s)
O presente documento escrito é uma reflexão crítica sobre o meu projeto artístico de carácter laboratorial, desenvolvido através das variáveis: vocalidades improvisadas, ritual-teatral e Dionísias Urbanas, culminando na criação performativa de um banquete dionisíaco, com 19 convidados. Atravessa uma pesquisa de metodologia auto-etnográfica, dialogando com a minha existência enquanto artista e em consequência com a minha existência no mundo. Durante o processo houve o questionamento da institucionalização das Artes, procurando compreender e ir ao encontro da potência de criação artística no meio dos sistemas institucionais.
This written document is a critical reflection on my artistic project, with a laboratorial nature, developed through the variables: improvised vocalities, ritual-theatrical and Urban Dionysias, culminating in a performative creation of a Dionysian banquet with 19 guests. It goes through a research of auto-ethnographic methodology, dialoguing with my existence as an artist and in the world. During the process there was the questioning of the institutionalization of Arts, seeking to understand and meet the potency of artistic creation in the midst of institutional systems.
This written document is a critical reflection on my artistic project, with a laboratorial nature, developed through the variables: improvised vocalities, ritual-theatrical and Urban Dionysias, culminating in a performative creation of a Dionysian banquet with 19 guests. It goes through a research of auto-ethnographic methodology, dialoguing with my existence as an artist and in the world. During the process there was the questioning of the institutionalization of Arts, seeking to understand and meet the potency of artistic creation in the midst of institutional systems.
Description
Keywords
Dioniso Existir Vocalidades Ritual-teatral Institucionalização Artes Dionysus Exist Vocalities Ritual-theatrical Institutionalization Arts