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Publication
EspacializaĆ§Ć£o sonora em performance de DJ
| Name: | Description: | Size: | Format: | |
|---|---|---|---|---|
| 6.31 MB | Adobe PDF |
Authors
Abstract(s)
Este trabalho explora a espacializaĆ§Ć£o sonora em performances de DJ, a partir de uma abordagem tĆ©cnica e prĆ”tica situada. Partindo do desejo de partilhar a sensaĆ§Ć£o imersiva experienciada em contextos de escuta tridimensional, o trabalho procurou adaptar ferramentas de Ć”udio espacial ao universo do DJing, tradicionalmente orientado ao som estĆ©reo.
A pesquisa teve como foco principal o desenvolvimento de um setup funcional e acessĆvel, com recurso Ć codificaĆ§Ć£o ambisĆ³nica em tempo real e ao mapeamento MIDI de parĆ¢metros espaciais. AtravĆ©s de uma abordagem practice-based, foram realizados testes no EstĆŗdio C da ESMAE e culminou numa performance final no EstĆŗdio A, com um setup de 7.1.4 e recolha informal de impressƵes do pĆŗblico.
Embora o projeto tenha sido inicialmente delineado em torno de trĆŖs eixos ā tĆ©cnico, performativo e estĆ©tico ā, reconhece-se que a vertente tĆ©cnica assumiu uma centralidade dominante ao longo do processo. A investigaĆ§Ć£o concentrou-se em garantir a estabilidade do sistema, a viabilidade da manipulaĆ§Ć£o espacial em tempo real e a integraĆ§Ć£o coerente com a prĆ”tica de seleĆ§Ć£o musical.
Este trabalho representa, assim, um primeiro passo na integraĆ§Ć£o de som espacializado em prĆ”ticas de DJing, apontando caminhos futuros que poderĆ£o articular com maior profundidade a escuta fenomenolĆ³gica, a estĆ©tica do espaƧo sonoro e a interatividade com o pĆŗblico. A colaboraĆ§Ć£o futura com instituiƧƵes como o GRAME (Lyon) e o desenvolvimento de hardware como a Spatbox poderĆ£o reforƧar essa vertente investigativa, contribuindo para uma prĆ”tica artĆstica expandida e sensorialmente envolvente.
This work explores sound spatialisation in DJ performances, based on a technical and practical approach. Based on the desire to share the immersive sensation experienced in threedimensional listening contexts, the work sought to adapt spatial audio tools to the universe of DJing, traditionally orientated towards stereo sound. The main focus of the research was the development of a functional and accessible setup, using real-time ambisonic coding and MIDI mapping of spatial parameters. Using a practice-based approach, tests were carried out in ESMAE's Studio C and culminated in a final performance in Studio A, with a 7.1.4 setup and informal audience feedback. Although the project was initially outlined around three axes - technical, performative and aesthetic - it is recognised that the technical aspect took on a dominant centrality throughout the process. The research focused on guaranteeing the stability of the system, the feasibility of realtime spatial manipulation and coherent integration with the practice of music selection. This work thus represents a first step in the integration of spatialised sound into DJing practices, pointing to future paths that could articulate phenomenological listening, the aesthetics of sound space and interactivity with the public in greater depth. Future collaborations with institutions such as GRAME (Lyon) and the development of hardware such as the Spatbox could lead to the development of a more spatialised sound.
This work explores sound spatialisation in DJ performances, based on a technical and practical approach. Based on the desire to share the immersive sensation experienced in threedimensional listening contexts, the work sought to adapt spatial audio tools to the universe of DJing, traditionally orientated towards stereo sound. The main focus of the research was the development of a functional and accessible setup, using real-time ambisonic coding and MIDI mapping of spatial parameters. Using a practice-based approach, tests were carried out in ESMAE's Studio C and culminated in a final performance in Studio A, with a 7.1.4 setup and informal audience feedback. Although the project was initially outlined around three axes - technical, performative and aesthetic - it is recognised that the technical aspect took on a dominant centrality throughout the process. The research focused on guaranteeing the stability of the system, the feasibility of realtime spatial manipulation and coherent integration with the practice of music selection. This work thus represents a first step in the integration of spatialised sound into DJing practices, pointing to future paths that could articulate phenomenological listening, the aesthetics of sound space and interactivity with the public in greater depth. Future collaborations with institutions such as GRAME (Lyon) and the development of hardware such as the Spatbox could lead to the development of a more spatialised sound.
Description
Keywords
Ćudio imersivo EspacializaĆ§Ć£o sonora DJing Ambisonics Performance multicanal REAPER IEM plugins Immersive audio Sound spatialization Multichannel performance