| Name: | Description: | Size: | Format: | |
|---|---|---|---|---|
| 10.96 MB | Adobe PDF |
Authors
Advisor(s)
Abstract(s)
A presente dissertação desenvolve um trabalho de investigação relativo à
Banda Filarmónica de S. Martinho do Campo sobre o seu percurso histórico e
os dados mais relevantes da sua existência.
A tese que se defende neste estudo é de que a Banda de S. Martinho do
Campo teve um papel relevante na construção do percurso social e cultural da
freguesia de Campo, concelho de Valongo, e na formação da sua identidade.
O trabalho foi desenvolvido seguindo uma linha cronológica dos diferentes
contextos históricos dos finais do século XIX, do século XX e até à atualidade
que, de uma forma direta ou indireta, condicionaram e influenciaram a
evolução da Banda de Campo.
Apesar de a dissertação ter como objeto de estudo uma banda filarmónica,
seria expectável que a música tivesse um papel relevante no trabalho. No
entanto o estudo não tem como objetivo desenvolver de forma exaustiva
aspetos relacionados com o formalismo da música e a sua importância no
contexto histórico, mas sim os fatores políticos, culturais e sociais que
determinaram a organização social da banda de Campo desde a sua fundação
até à atualidade.
No decorrer da pesquisa procurou-se fazer um trabalho apoiado em
documentos, imagens e entrevistas realizadas a membros da banda como a
elementos da comunidade local, nomeadamente o pároco da freguesia, o
presidente da Junta de Freguesia de Campo e o administrador da Companhia
das Lousas de Valongo, de modo a recolher memórias e apresentar factos e
histórias narradas cujo objetivo será o obter elementos que possibilitem dar
uma base mais sustentada e credível ao estudo sobre a coletividade.
Por último, não se pretende de nenhuma forma criar juízos de valor ou
lançar opiniões que deturpem os objetivos que esta dissertação se
compromete a seguir: investigação, estudo, reflexão crítica e discussão dos temas abordados, como a história da banda de Campo, fatores demográficos,
o trabalho como fator de organização social, contextos sociais e políticos e de
que forma eles exerceram influências cruzadas, na banda e na comunidade.
The thesis defended in this study is that the Band of S. Martinho do Campo had an important role in the construction of the social and cultural path of the identity image of the parish of Campo, Valongo County. The present dissertation conducts a research related to the Philharmonic Band of S. Martinho do Campo about its historical and identitary trajectory. The work was developed following a chronological order and focusing on the different historical contexts of the end of the. 19th and 20th centuries to the present day, which, in a direct or indirect way, conditioned and influenced the evolution of the Band. Although the dissertation had as object of study a philharmonic band, it would be expected that music should be relevant in the work. However, the study does not aim to develop exhaustively aspects related to the formalism of music and its importance in the historical context, but rather the political, cultural and social factors that determined the social organization of the Campo band from its foundation to the present. During the research period, we tried to do a work based on documents, images and interviews made to members of the band as elements of the local community, namely the local parish priest, President of the Parish Council and the administrator of the Company of the Slates of Valongo, in order to present narrated facts and histories whose objective will be to obtain elements that allow a more sustained and credible basis to the study about the collectivity. Finally, it was important not to infer judgments or cast opinions that misrepresent the objectives to which this dissertation undertakes: research, study, critical reflection and discussion of the topics covered, such as the history of the band, factors demographic, work as a factor of social organization, social and political contexts.
The thesis defended in this study is that the Band of S. Martinho do Campo had an important role in the construction of the social and cultural path of the identity image of the parish of Campo, Valongo County. The present dissertation conducts a research related to the Philharmonic Band of S. Martinho do Campo about its historical and identitary trajectory. The work was developed following a chronological order and focusing on the different historical contexts of the end of the. 19th and 20th centuries to the present day, which, in a direct or indirect way, conditioned and influenced the evolution of the Band. Although the dissertation had as object of study a philharmonic band, it would be expected that music should be relevant in the work. However, the study does not aim to develop exhaustively aspects related to the formalism of music and its importance in the historical context, but rather the political, cultural and social factors that determined the social organization of the Campo band from its foundation to the present. During the research period, we tried to do a work based on documents, images and interviews made to members of the band as elements of the local community, namely the local parish priest, President of the Parish Council and the administrator of the Company of the Slates of Valongo, in order to present narrated facts and histories whose objective will be to obtain elements that allow a more sustained and credible basis to the study about the collectivity. Finally, it was important not to infer judgments or cast opinions that misrepresent the objectives to which this dissertation undertakes: research, study, critical reflection and discussion of the topics covered, such as the history of the band, factors demographic, work as a factor of social organization, social and political contexts.
Description
Keywords
Banda Filarmónica S. Martinho do Campo Mina da Lousa
Citation
Publisher
Instituto Politécnico do Porto. Escola Superior de Educação