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Abstract(s)
Considera-se um objeto inerte devido Ć incapacidade de percecionar a lenta mudanƧa na sua materialidade. Uma montanha parece igual, tal como uma pedra, mas os ciclos geolĆ³gicos tambĆ©m estĆ£o em curso, simultaneamente aos ciclos orgĆ¢nicos, ainda que nĆ£o sejam percecionados a olho nu. Partindo do princĆpio de que os objectos nĆ£o sĆ£o apenas a imagem que vemos no nosso cĆ©rebro, mas tambĆ©m o processo da sua criaĆ§Ć£o, Pedra Dura: escuta especulativa de uma paisagem em transformaĆ§Ć£o investiga a interseĆ§Ć£o entre arte sonora e processos geolĆ³gicos, explorando a relaĆ§Ć£o entre materialidade, erosĆ£o e intervenĆ§Ć£o artĆstica na paisagem de SĆ£o Paio em Labruge, a partir dos contornos das pedras.
An object is considered inert due to our inability to perceive the slow changes in its materiality. A mountain appears the same, just like a stone, but geological cycles are also ongoing, occurring simultaneously with organic cycles, even if they are not visible to the naked eye. Assuming that objects are not merely the images we see in our brains, but also the process of their creation, Pedra Dura: Speculative Listening of a Transforming Landscape investigates the intersection between sound art and geological processes, exploring the relationship between materiality, erosion, and artistic intervention in the landscape of SĆ£o Paio in Labruge, based on the contours of the stones.
An object is considered inert due to our inability to perceive the slow changes in its materiality. A mountain appears the same, just like a stone, but geological cycles are also ongoing, occurring simultaneously with organic cycles, even if they are not visible to the naked eye. Assuming that objects are not merely the images we see in our brains, but also the process of their creation, Pedra Dura: Speculative Listening of a Transforming Landscape investigates the intersection between sound art and geological processes, exploring the relationship between materiality, erosion, and artistic intervention in the landscape of SĆ£o Paio in Labruge, based on the contours of the stones.
Description
Keywords
Pesquisa artĆstica Arte sonora MultimĆ©dia ErosĆ£o Materialidade Paisagem sonora Site specific Artistic research Sound art Erosion Materiality Interaction Soundscape Site-specific