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Publication
SOM/RGB
| Name: | Description: | Size: | Format: | |
|---|---|---|---|---|
| 25.29 MB | Adobe PDF |
Authors
Advisor(s)
Abstract(s)
Este projeto, SOM/RGB, parte de uma questão artística central: como elevar a experiência simbiótica de um concerto audiovisual ao vivo com a tecnologia contemporânea? Estruturado como um projeto de criação artística, o seu objetivo primordial é a conceção artística culminando na realização de uma performance final, servindo o presente relatório como a documentação desse percurso criativo.
O seu desenvolvimento assenta numa dupla abordagem: uma contextualização teórica sobre a história da arte audiovisual e os seus pioneiros, que estabelece o enquadramento conceptual; e uma implementação prática focada na criação de um instrumento unificado em Ableton Live e EboSuite. Este trabalho prático culmina na própria performance SOM/RGB — uma narrativa audiovisual coesa baseada no álbum "Forever Online", concebida para ser uma experiência singular e imersiva.
O projeto conclui ao apresentar um modelo de performance onde o gesto do artista é a origem singular tanto do som como da imagem. Defende-se que a verdadeira simbiose é alcançada não pela pós-sincronização ou por sistemas reativos, mas por um ato criativo unificado e corporizado, onde a tecnologia se torna uma extensão transparente da intenção artística do performer.
This project, SOM/RGB, begins with a central artistic question: how to elevate the symbiotic experience of a live audiovisual concert with contemporary technology? Structured as an artistic creation project, its primary objective is artistic conception culminating in the realization of a final performance, with this report serving as documentation of this creative journey. Its development is based on a dual approach: a theoretical contextualization of the history of audiovisual art and its pioneers, which establishes the conceptual framework; and a practical implementation focused on creating a unified instrument in Ableton Live and EboSuite. This practical work culminates in the SOM/RGB performance itself—a cohesive audiovisual narrative based on the album "Forever Online," designed to be a singular and immersive experience. The project concludes by presenting a performance model where the artist's gesture is the singular origin of both sound and image. It is argued that true symbiosis is achieved not by post-synchronization or reactive systems, but by a unified and embodied creative act, where technology becomes a transparent extension of the performer's artistic intention.
This project, SOM/RGB, begins with a central artistic question: how to elevate the symbiotic experience of a live audiovisual concert with contemporary technology? Structured as an artistic creation project, its primary objective is artistic conception culminating in the realization of a final performance, with this report serving as documentation of this creative journey. Its development is based on a dual approach: a theoretical contextualization of the history of audiovisual art and its pioneers, which establishes the conceptual framework; and a practical implementation focused on creating a unified instrument in Ableton Live and EboSuite. This practical work culminates in the SOM/RGB performance itself—a cohesive audiovisual narrative based on the album "Forever Online," designed to be a singular and immersive experience. The project concludes by presenting a performance model where the artist's gesture is the singular origin of both sound and image. It is argued that true symbiosis is achieved not by post-synchronization or reactive systems, but by a unified and embodied creative act, where technology becomes a transparent extension of the performer's artistic intention.
Description
Keywords
Criação artística Performance audiovisual Simbiose som-imagem Visuais ao vivo Instrumento digital Ableton Live Artistic research Audiovisual performance Sound-image symbiosis Live visuals Digital instrument