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Publication
Análise comparativa da gravação de três sonatas de compositores portugueses pelo violinista Vasco Barbosa (1930-2016)
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| 119.69 MB | Adobe PDF |
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Abstract(s)
A presente dissertação tem como objetivo estudar o contributo do violinista Vasco Barbosa na valorização e divulgação do património musical português. Esse propósito foi concretizado através de uma análise comparativa das interpretações do violinista de três sonatas para violino e piano de Fernando Lopes-Graça, Frederico de Freitas e Ruy Coelho, que Vasco Barbosa gravou. A análise demonstrou que a sua interpretação se distingue pela clareza técnica, expressividade controlada e por uma leitura estilisticamente coerente com o contexto estético de cada compositor. Os resultados evidenciam ainda a evolução interpretativa do violinista português ao longo das décadas de 70, 80 e 90 do séc. XX.
This dissertation aims to study the contribution of the violinist Vasco Barbosa to the appreciation and dissemination of Portuguese musical heritage. This purpose was achieved through a comparative analysis of his interpretations of three sonatas for violin and piano by Fernando Lopes-Graça, Frederico de Freitas, and Ruy Coelho, recorded by Vasco Barbosa. The analysis revealed that his interpretation is distinguished by technical clarity, controlled expressiveness, and a stylistically coherent reading aligned with each composer’s aesthetic context. The results also highlight the Portuguese violinist’s interpretative evolution throughout the 1970s, 1980s, and 1990s.
This dissertation aims to study the contribution of the violinist Vasco Barbosa to the appreciation and dissemination of Portuguese musical heritage. This purpose was achieved through a comparative analysis of his interpretations of three sonatas for violin and piano by Fernando Lopes-Graça, Frederico de Freitas, and Ruy Coelho, recorded by Vasco Barbosa. The analysis revealed that his interpretation is distinguished by technical clarity, controlled expressiveness, and a stylistically coherent reading aligned with each composer’s aesthetic context. The results also highlight the Portuguese violinist’s interpretative evolution throughout the 1970s, 1980s, and 1990s.
Description
Keywords
Vasco Barbosa Música portuguesa para violino Frederico de Freitas Fernando Lopes-Graça Ruy Coelho Portuguese music for violin