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Advisor(s)
Abstract(s)
Imagem Nua é uma investigação-projeto em artes, realizada no contexto do Mestrado em Artes Cénicas da ESMAE, na área de especialização Interpretação e Direção Artística. Neste relatório, é feita a descrição do processo de criação e pensamento associado ao Laboratório de Criação De Cor, onde se investigou o corpo na recusa do antropomorfismo pelo condicionamento da sua perceção. Para tal, foram usadas as seguintes matérias transformadoras de realidade: sombra, luz-cor e reflexo.
No primeiro capítulo, analisa-se o percurso do ato de olhar pela arte, como forma de o perceber hoje no campo das ideias, da imaterialidade, da autoria e da perceção.
Nos três capítulos seguintes, é acompanhado o processo de criação em estúdio, onde o corpo se encontra com a sombra de Tanizaki, a cor de Katharina Grosse e com o reflexo na infância de Bergman.
No quinto capítulo, propõe-se olhar o visível e o invisível, sobre a descoberta de novas formas de olhar que bebem em Merleau-Ponty, Leibniz e José Gil.
No último capítulo, surgem as considerações finais sobre o trajeto percorrido durante todo o processo de investigação, lançando o corpo para novos olhares sobre si e sobre o outro.
Naked Image is a project-investigation in Arts, conducted in the context of ESMAE’s Scenic Arts Master’s Degree, in the area of expertise of Interpretation and Artistic Direction. In this report, a description of the creation and thought associated with the Laboratory of Colour Creation is made, where the body was investigated on its refusal of anthropomorphism by conditioning its perception. For such purpose, reality transformations such as shadows, light-colour and reflexion were operated. In the first chapter, the way of looking through art is analysed, as ways of understanding it currently in the fields of ideas, immateriality, authorship and perception. The succeeding three chapters follow the process of creating in studio, where the body has, as starting points, Tanizaki’s shadows, Katharina Grosse’s colour and Bergman’s reflection in childhood. The fifth chapter proposes looking the visible and the invisible, surrounding the discovery of new ways of looking, inspired in Merleau-Ponty, Leibniz and José Gil. The final considerations within the last chapter are about the journey of all the investigation and its process, casting the body to a new look about itself and the other.
Naked Image is a project-investigation in Arts, conducted in the context of ESMAE’s Scenic Arts Master’s Degree, in the area of expertise of Interpretation and Artistic Direction. In this report, a description of the creation and thought associated with the Laboratory of Colour Creation is made, where the body was investigated on its refusal of anthropomorphism by conditioning its perception. For such purpose, reality transformations such as shadows, light-colour and reflexion were operated. In the first chapter, the way of looking through art is analysed, as ways of understanding it currently in the fields of ideas, immateriality, authorship and perception. The succeeding three chapters follow the process of creating in studio, where the body has, as starting points, Tanizaki’s shadows, Katharina Grosse’s colour and Bergman’s reflection in childhood. The fifth chapter proposes looking the visible and the invisible, surrounding the discovery of new ways of looking, inspired in Merleau-Ponty, Leibniz and José Gil. The final considerations within the last chapter are about the journey of all the investigation and its process, casting the body to a new look about itself and the other.
Description
Keywords
Corpo Movimento Cor Luz Sombra Metafenomenologia Perceção Body Movement Colour Light Shadows Metaphenomenology Perception