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Advisor(s)
Abstract(s)
Imagem Nua Ă© uma investigação-projeto em artes, realizada no contexto do Mestrado em Artes CĂ©nicas da ESMAE, na ĂĄrea de especialização Interpretação e Direção ArtĂstica. Neste relatĂłrio, Ă© feita a descrição do processo de criação e pensamento associado ao LaboratĂłrio de Criação De Cor, onde se investigou o corpo na recusa do antropomorfismo pelo condicionamento da sua perceção. Para tal, foram usadas as seguintes matĂ©rias transformadoras de realidade: sombra, luz-cor e reflexo.
No primeiro capĂtulo, analisa-se o percurso do ato de olhar pela arte, como forma de o perceber hoje no campo das ideias, da imaterialidade, da autoria e da perceção.
Nos trĂȘs capĂtulos seguintes, Ă© acompanhado o processo de criação em estĂșdio, onde o corpo se encontra com a sombra de Tanizaki, a cor de Katharina Grosse e com o reflexo na infĂąncia de Bergman.
No quinto capĂtulo, propĂ”e-se olhar o visĂvel e o invisĂvel, sobre a descoberta de novas formas de olhar que bebem em Merleau-Ponty, Leibniz e JosĂ© Gil.
No Ășltimo capĂtulo, surgem as consideraçÔes finais sobre o trajeto percorrido durante todo o processo de investigação, lançando o corpo para novos olhares sobre si e sobre o outro.
Naked Image is a project-investigation in Arts, conducted in the context of ESMAEâs Scenic Arts Masterâs Degree, in the area of expertise of Interpretation and Artistic Direction. In this report, a description of the creation and thought associated with the Laboratory of Colour Creation is made, where the body was investigated on its refusal of anthropomorphism by conditioning its perception. For such purpose, reality transformations such as shadows, light-colour and reflexion were operated. In the first chapter, the way of looking through art is analysed, as ways of understanding it currently in the fields of ideas, immateriality, authorship and perception. The succeeding three chapters follow the process of creating in studio, where the body has, as starting points, Tanizakiâs shadows, Katharina Grosseâs colour and Bergmanâs reflection in childhood. The fifth chapter proposes looking the visible and the invisible, surrounding the discovery of new ways of looking, inspired in Merleau-Ponty, Leibniz and JosĂ© Gil. The final considerations within the last chapter are about the journey of all the investigation and its process, casting the body to a new look about itself and the other.
Naked Image is a project-investigation in Arts, conducted in the context of ESMAEâs Scenic Arts Masterâs Degree, in the area of expertise of Interpretation and Artistic Direction. In this report, a description of the creation and thought associated with the Laboratory of Colour Creation is made, where the body was investigated on its refusal of anthropomorphism by conditioning its perception. For such purpose, reality transformations such as shadows, light-colour and reflexion were operated. In the first chapter, the way of looking through art is analysed, as ways of understanding it currently in the fields of ideas, immateriality, authorship and perception. The succeeding three chapters follow the process of creating in studio, where the body has, as starting points, Tanizakiâs shadows, Katharina Grosseâs colour and Bergmanâs reflection in childhood. The fifth chapter proposes looking the visible and the invisible, surrounding the discovery of new ways of looking, inspired in Merleau-Ponty, Leibniz and JosĂ© Gil. The final considerations within the last chapter are about the journey of all the investigation and its process, casting the body to a new look about itself and the other.
Description
Keywords
Corpo Movimento Cor Luz Sombra Metafenomenologia Perceção Body Movement Colour Light Shadows Metaphenomenology Perception