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Abstract(s)
O objectivo do trabalho que se apresenta, que corresponde a um projecto realizado para obtenção do grau de Mestre em Composição e Teoria Musical, foi explorar a relação entre a Composição e a Improvisação com base numa reflexão teórica acerca de questões relevantes, como o problema de combinar partes escritas, notadas tradicionalmente, com partes mais abertas, que quase dispensam a escrita e em que se faz uso da improvisação.
Nele se aborda o problema de encontrar processos geradores de ideias musicais que não passam necessariamente pela notação tradicional, combinando a escrita e improvisação mais idiomática do jazz com conceitos como indeterminação e abertura, e que tornam possível a composição de peças musicais em tempo real. Na segunda parte deste trabalho, é apresentada a descrição e análise dos processos utilizados na escrita de música para um grande ensemble de Jazz, um dos objectivos da Tese de Mestrado, assim como os processos usados na improvisação e uma análise dos resultados obtidos numa performance realizada no final do projecto, dirigida com base na linguagem do Soundpainting.
The objective of the work presented, which corresponds to a project undertaken for the degree of Master of Composition and Music Theory, was to explore the relationship between composition and improvisation based on a theoretical reflection on relevant issues, as the problem of combining traditionally notated written pieces with more open pieces that nearly dispense writing and make use of improvisation. The work presented addresses the issue of finding processes that generate musical ideas which do not necessarily involve the use of traditional notation, combining the more idiomatic writing and improvisation of jazz with concepts such as indeterminacy and openness, that make possible the composition of musical pieces in real time. In the second part of this work, the description and analysis of the processes used in writing music for a large ensemble Jazz, one of the objectives of the Master Thesis, is presented, as well as the processes used in improvisation and an analysis of the results obtained in a performance held at the end of the project, directed using the Soundpainting language.
The objective of the work presented, which corresponds to a project undertaken for the degree of Master of Composition and Music Theory, was to explore the relationship between composition and improvisation based on a theoretical reflection on relevant issues, as the problem of combining traditionally notated written pieces with more open pieces that nearly dispense writing and make use of improvisation. The work presented addresses the issue of finding processes that generate musical ideas which do not necessarily involve the use of traditional notation, combining the more idiomatic writing and improvisation of jazz with concepts such as indeterminacy and openness, that make possible the composition of musical pieces in real time. In the second part of this work, the description and analysis of the processes used in writing music for a large ensemble Jazz, one of the objectives of the Master Thesis, is presented, as well as the processes used in improvisation and an analysis of the results obtained in a performance held at the end of the project, directed using the Soundpainting language.
Description
Keywords
Improvisação Composição Indeterminismo Notação Improvisation Composition Indeterminacy Notation