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Abstract(s)
Questo lavoro analizza la relazione tra il clarinetto e la musica di Antonio Vivaldi attraverso gli arrangiamenti di cinque concerti del compositore.
Nel primo capitolo viene fatta una contestualizzazione del ruolo del clarinetto, sia in chiave storica che musicale, e della sua relazione con Vivaldi e il repertorio barocco.
Il secondo capitolo ha carattere storico, e descrive la vita e le opere del compositore, ed il periodo barocco in musica.
Il terzo capitolo è dedicato all’analisi dei concerti scelti per fare gli arrangiamenti: concerti n. 1 e 2 Op. 10, concerti n. 7 e 12 Op. 8 e concerto n. 8 Op. 3.
Il quarto capitolo spiega nel dettaglio il processo di stesura degli arrangiamenti.
In allegato si trovano le partire dei concerti arrangiati.
This work analyzes the relationship between the clarinet and the music of Antonio Vivaldi through the arrangements of five of his concerts. In the first chapter a contextualization of the role of the clarinet is made, both in historical and musical terms, and of its relationship with Vivaldi and the Baroque repertoire. The second chapter is historical, and describes the life and works of the composer, and the baroque period in music. The third chapter is dedicated to the analysis of the concerts chosen to do the arrangements: concerts n. 1 and 2 Op. 10, concerts n. 7 and 12 Op. 8 and concert n. 8 Op. 3. The fourth chapter explains in detail the process of writing the arrangements. In appendix the scores of the five concerti.
This work analyzes the relationship between the clarinet and the music of Antonio Vivaldi through the arrangements of five of his concerts. In the first chapter a contextualization of the role of the clarinet is made, both in historical and musical terms, and of its relationship with Vivaldi and the Baroque repertoire. The second chapter is historical, and describes the life and works of the composer, and the baroque period in music. The third chapter is dedicated to the analysis of the concerts chosen to do the arrangements: concerts n. 1 and 2 Op. 10, concerts n. 7 and 12 Op. 8 and concert n. 8 Op. 3. The fourth chapter explains in detail the process of writing the arrangements. In appendix the scores of the five concerti.
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Keywords
Clarinetto Vivaldi Concerti Barocco Arrangiamenti Quintetto di clarinetti Clarinet Baroque Arrangements Clarinet quintet