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Abstract(s)
Este trabalho aborda a problemática interpretativa da música programática no contexto do reportório oboístico, a sua relação com os elementos extra-textuais e o quanto estes influenciam na interpretação de determinada obra.
Para tal foram selecionadas quatro obras de diferentes compositores do século XVIII ao século XX e que importa contextualizar na intenção programática emanada de cada um deles.
Estas obras, pretendo abordar não somente os seus aspetos históricos, estéticos e narrativos, mas também proceder a uma análise na perspetiva da hermenêutica e da semiologia no sentido de, com este estudo, contribuir objetivamente para uma performance fundamentada e que se aproxime do nível ideológico, musical e instrumental pretendido pelos respetivos compositores.
This work approaches the interpretative problematic of program music in the context of oboe repertoire, its relation with extra textual elements and how those influence the interpretation of a given piece. In order to achieve that goal, four pieces of different composers from the 18th to the 20th century were selected and the context in the programmatic music of each one was highlighted. In this work, the intention is to approach not only the historical, aesthetical and narrative contexts of the pieces, but also analyse them in terms of hermeneutics and semiology. This way, it may objectively contribute to a substantiated performance that approaches the ideological, musical and instrumental intentions of the respective composers.
This work approaches the interpretative problematic of program music in the context of oboe repertoire, its relation with extra textual elements and how those influence the interpretation of a given piece. In order to achieve that goal, four pieces of different composers from the 18th to the 20th century were selected and the context in the programmatic music of each one was highlighted. In this work, the intention is to approach not only the historical, aesthetical and narrative contexts of the pieces, but also analyse them in terms of hermeneutics and semiology. This way, it may objectively contribute to a substantiated performance that approaches the ideological, musical and instrumental intentions of the respective composers.
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Keywords
Oboé Música programática Pavel Haas Schilflieder Metamorphoses Cantata BWV12 Oboe Programmatic music