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Inner Landscapes: illusion and reality through photography
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"Paisagens Interiores: ilusão e realidade através da fotografia" é um projeto dedicado à interpretação, por meio da fotografia, das experiências interiores no contexto da perda de uma realidade estável. O ponto de partida foi a experiência pessoal de migração e de viver entre dois países, acompanhada pela perda do lar e a ruptura com o modo de vida anterior. Nessas circunstâncias, a fotografia torna-se uma prática meditativa e um meio de registar perceções subjetivas — estados, memórias e respostas emocionais.
O projeto investiga como a memória pessoal, as associações e as sensações visuais moldam uma nova sensibilidade à realidade, que deixa de ser percebida como coesa e estável. Por meio de experimentações com Polaroid e técnicas como dupla exposição, reflexos, transferência de emulsão de Polaroid e cianotipia, são criadas imagens que expressam estados emocionais e mentais.
A linguagem visual do projeto remete para a estética da filosofia wabi-sabi, que valoriza o efêmero, o imperfeito e o incompleto.
Paralelamente à componente visual, o projeto inclui uma investigação teórica sobre a abordagens filosóficas e artísticas da perceção da realidade.
O projeto é uma tentativa de capturar o vestígio visual da paisagem interior — um espaço onde a história pessoal, a memória e o presente se fundem em imagens que expressam a fragilidade e a complexidade da experiência contemporânea. Ilusão e realidade entrelaçam-se nesse contexto: as memórias tornam-se tão significativas quanto os acontecimentos reais, e a imagem visual transforma-se numa forma de existência daquilo que escapa à fixação literal.
"Inner Landscapes: illusion and reality through photography" is a project dedicated to the interpretation through photography of inner experiences in the context of the loss of stable reality. The starting point was the personal experience of migration and living between two countries, accompanied by the loss of home and a break with the former way of life. In these circumstances, photography becomes a meditative practice and a way of recording subjective perceptions — states, memories, emotional responses. The project explores how personal memory, associations, and visual sensations shape a new sensitivity to reality, which is no longer perceived as coherent and stable. Through experiments with Polaroid and techniques such as double exposure, reflections, Polaroid emulsion lift and cyanotype, images are created that convey emotional and mental states. The visual language of the project refers to the aesthetics of the wabi-sabi philosophy, which values the ephemeral, imperfect, and incomplete. Alongside the visual component, the project includes a theoretical investigation of philosophical and artistic approaches to the perception of reality. The project is an attempt to capture the visual trace of the inner landscape — a space where personal history, memory, and the present merge into images that express the fragility and complexity of contemporary experience. Illusion and reality are intertwined in this context: memories become as significant as real events, and the visual image becomes a form of existence for that which eludes literal fixation.
"Inner Landscapes: illusion and reality through photography" is a project dedicated to the interpretation through photography of inner experiences in the context of the loss of stable reality. The starting point was the personal experience of migration and living between two countries, accompanied by the loss of home and a break with the former way of life. In these circumstances, photography becomes a meditative practice and a way of recording subjective perceptions — states, memories, emotional responses. The project explores how personal memory, associations, and visual sensations shape a new sensitivity to reality, which is no longer perceived as coherent and stable. Through experiments with Polaroid and techniques such as double exposure, reflections, Polaroid emulsion lift and cyanotype, images are created that convey emotional and mental states. The visual language of the project refers to the aesthetics of the wabi-sabi philosophy, which values the ephemeral, imperfect, and incomplete. Alongside the visual component, the project includes a theoretical investigation of philosophical and artistic approaches to the perception of reality. The project is an attempt to capture the visual trace of the inner landscape — a space where personal history, memory, and the present merge into images that express the fragility and complexity of contemporary experience. Illusion and reality are intertwined in this context: memories become as significant as real events, and the visual image becomes a form of existence for that which eludes literal fixation.
Descrição
Trabalho de projeto
Palavras-chave
Perceção subjetiva Memória Ilusão Realidade Fotografia Polaroid Wabi-sabi Subjective perception Memory Illusion Reality Photography