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| 33.83 MB | Adobe PDF |
Authors
Advisor(s)
Abstract(s)
O presente ensaio tem como objetivo justificar as opções de Blocking usadas na
curta-metragem “Johnny White” (2020), um filme produzido no âmbito do
Mestrado em Comunicação Audiovisual, na Especialização em Produção e
Realização Audiovisual, concretamente, relacionar a posição e o movimento dos
atores com o ponto de vista da câmara, numa tentativa de as adequar à narrativa
da ficção.
The purpose of this essay is to justify the Blocking options used in the short film “Johnny White” (2020), a film produced within the scope of the Master in Audiovisual Communication, in the Specialization in Audiovisual Production and Realization, specifically, relating the position and the movement of the actors with the point of view of the camera, in an attempt to adapt them to the narrative of the fiction.
The purpose of this essay is to justify the Blocking options used in the short film “Johnny White” (2020), a film produced within the scope of the Master in Audiovisual Communication, in the Specialization in Audiovisual Production and Realization, specifically, relating the position and the movement of the actors with the point of view of the camera, in an attempt to adapt them to the narrative of the fiction.
Description
Trabalho de projeto
Keywords
Blocking Johnny White, curta-metragem Planificação cinematográfica Mise-en-scène Johnny White, short film Director Planning