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Abstract(s)
O presente trabalho apresenta uma investigação realizada sobre as três últimas Sonatas de Franz Schubert para piano. É assumido que as mesmas devem ser consideradas como um todo, formando uma trilogia, e não como três obras distintas. Para isso são demonstradas Interligações de carácter Harmónico, Melódico e Rítmico bem como Interligações com outras obras de Schubert e Beethoven. São dadas também sugestões fundamentadas sobre a realização de uma performance da trilogia.
This study presents an investigation into Schubert’s last three piano Sonatas. It is assumed that they should be considered as a whole, constituting a trilogy, and not as three distinctive works. For that, Harmonic, Melodic and Rhythmic Interconnections are shown as well as Interconnections with other works by Schubert and Beethoven. Also, well-grounded suggestions are made about performing the whole trilogy.
This study presents an investigation into Schubert’s last three piano Sonatas. It is assumed that they should be considered as a whole, constituting a trilogy, and not as three distinctive works. For that, Harmonic, Melodic and Rhythmic Interconnections are shown as well as Interconnections with other works by Schubert and Beethoven. Also, well-grounded suggestions are made about performing the whole trilogy.
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Keywords
Schubert Trilogia Interligações Trilogy Interconnections