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Abstract(s)
âCorrespondĂȘncia â Projeto ArtĂstico de J.D.â assume-se como uma performance teatral sustentada por uma dramaturgia construĂda a partir da troca de correspondĂȘncia entre a comunidade vareira e Leandro Ribeiro, escudado no anonimato de Joaquim Guilherme Gomes Coelho (pseudĂłnimo JĂșlio Dinis) e seu heterĂłnimo Diana de Aveleda. O resultado desta investigação culmina numa visita guiada ao âMuseu JĂșlio Dinis â Uma Casa Ovarenseâ, onde o escritor viveu durante o verĂŁo de 1863 e escreveu o que viria a ser âAs pupilas do Senhor Reitorâ.
NĂŁo se tratando de uma representação histĂłrica, o projeto cruza a correspondĂȘncia atual e antiga atravĂ©s de temas de identidade do lugar (a cidade de Ovar e suas gentes) e o estado da Arte. Trata-se de um exercĂcio de aproximação entre o espectador e o ator, fraturando a fronteira que os separa. Permite uma profunda reflexĂŁo artĂstica sobre os conceitos de privado e pĂșblico; alterando as convençÔes espaciais de plateia e palco, por se passar num lugar nĂŁo convencional: casa-museu. A performance transparece este interesse pela inspiração do lugar e sua memĂłria, respeitando a arquitetura e o mobiliĂĄrio do museu, mas subvertendo algumas das suas funçÔes, potencializando, assim, a ficção.
âCorrespondĂȘncia â Projeto ArtĂstico de J.D.â assumes itself as a theatrical performance sustained by a dramaturgy built from the exchange of correspondence between the community of the town of Ovar and Leandro Ribeiro, protected in the anonymity of Joaquim Guilherme Gomes Coelho (JĂșlio Dinis pseudonym) and his heteronym Diana de Aveleda. The result of this research culminates in a guided tour of the âMuseu JĂșlio Dinis - Uma Casa Ovarenseâ, where the writer lived during the summer of 1863, and wrote what would become "As pupilas do senhor Reitor". Not being an historical representation, the project crosses the current and old correspondence through themes of identity of the place (the city of Ovar and its people) and the state of the Art. It is an exercise that unites the spectator and the actor, breaking the border that separates them. It allows a deep artistic reflection on the concepts of private and public; altering the spatial conventions of audience and stage, by taking place in an unconventional theatre site: Museum House. The performance reflects this interest by the inspiration of the place and its memory, respecting the architecture and furniture of the museum, but subverting some of its functions, thus enhancing fiction.
âCorrespondĂȘncia â Projeto ArtĂstico de J.D.â assumes itself as a theatrical performance sustained by a dramaturgy built from the exchange of correspondence between the community of the town of Ovar and Leandro Ribeiro, protected in the anonymity of Joaquim Guilherme Gomes Coelho (JĂșlio Dinis pseudonym) and his heteronym Diana de Aveleda. The result of this research culminates in a guided tour of the âMuseu JĂșlio Dinis - Uma Casa Ovarenseâ, where the writer lived during the summer of 1863, and wrote what would become "As pupilas do senhor Reitor". Not being an historical representation, the project crosses the current and old correspondence through themes of identity of the place (the city of Ovar and its people) and the state of the Art. It is an exercise that unites the spectator and the actor, breaking the border that separates them. It allows a deep artistic reflection on the concepts of private and public; altering the spatial conventions of audience and stage, by taking place in an unconventional theatre site: Museum House. The performance reflects this interest by the inspiration of the place and its memory, respecting the architecture and furniture of the museum, but subverting some of its functions, thus enhancing fiction.
Description
Keywords
Casa-museu Carta Espectador-ator Identidade MemĂłria Proximidade PĂșblico-privado Museum house Letter Spectator-actor Identity Memory Nearness Public-private