| Name: | Description: | Size: | Format: | |
|---|---|---|---|---|
| 1.01 MB | Adobe PDF |
Authors
Advisor(s)
Abstract(s)
Existe un tipo de repertorio contemporáneo para flauta de pico en donde podemos encontrar la huella del pasado y de culturas no europeas. A veces se muestra de manera obvia, y otras de forma casi imperceptible, a través de pequeños trazos. Es posible que esto se deba a que la flauta de pico posee en esencia una cualidad arquetípica de la que emana el poder de la evocación. Para poder profundizar sobre esto se cuestiona a algunos de los autores que han escrito este tipo repertorio. Se genera así una reflexión sobre los conceptos de tiempo, memoria musical y sobre los distintos procesos que de ahí se desprenden. Su síntesis se efectúa durante el fenómeno del concierto que se convierte en el lugar de la macro-memoria.
There is a kind of contemporary repertoire for recorder where we can find traces of the past and of non-European cultures. Sometimes it is shown in an obvious way, and some others it is there almost imperceptibly, through small signs. This may be because the recorder has in its essence an archetypal quality that emanates from the power of evocation. To deepen this issue we questioned some of the authors who have written this sort of music. A reflection on the concepts of time, musical memory and the various processes that emerge from there was thus generated. Its synthesis is carried out during the performance that becomes the site of macro-memory.
There is a kind of contemporary repertoire for recorder where we can find traces of the past and of non-European cultures. Sometimes it is shown in an obvious way, and some others it is there almost imperceptibly, through small signs. This may be because the recorder has in its essence an archetypal quality that emanates from the power of evocation. To deepen this issue we questioned some of the authors who have written this sort of music. A reflection on the concepts of time, musical memory and the various processes that emerge from there was thus generated. Its synthesis is carried out during the performance that becomes the site of macro-memory.
Description
Keywords
Flauta de pico Repertorio contemporáneo Tiempo Memoria Evocación Resonancia Cita Recorder Contemporary repertoire Time Memory Evocation Resonance Citation