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Algures entre o corpo e a representação

dc.contributor.authorMarisa, ClƔudia
dc.date.accessioned2017-12-27T15:15:46Z
dc.date.available2017-12-27T15:15:46Z
dc.date.issued2017
dc.description.abstractThis paper reflects over the possibility of a body on stage becoming a dramaturgic language that is capable, through the (re)creation of reality, of attributing sense and meaning to the individual and interpersonal trajectories of performers and the audience, in a dialectic between life and its representations. The main reason for that reflection is found in studies about scenic arts, which state the non-existence of single process to analyse a performance; however, several methods exist that express diverse creation and reception models, in a participating and interactive relation through which interpreters and spectators build their identity around a common "scenic body".pt_PT
dc.description.versioninfo:eu-repo/semantics/publishedVersionpt_PT
dc.identifier.urihttp://hdl.handle.net/10400.22/10662
dc.language.isoporpt_PT
dc.peerreviewednopt_PT
dc.publisherNuIsIs ZoBoP - Associação Cultural de Criação / Instituto de Filosofia UPpt_PT
dc.relation.publisherversionhttp://ler.letras.up.pt/uploads/ficheiros/15708.pdfpt_PT
dc.subjectDramaturgy of the bodypt_PT
dc.subjectPerformance analysispt_PT
dc.subjectScenic bodypt_PT
dc.titleAlgures entre o corpo e a representaçãopt_PT
dc.typebook part
dspace.entity.typePublication
oaire.citation.conferencePlacePortopt_PT
oaire.citation.endPage90pt_PT
oaire.citation.startPage86pt_PT
oaire.citation.titleDa insaciabilidade no caso ou ao mesmo tempo um milagrept_PT
person.familyNameMarisa
person.givenNameClƔudia
person.identifier.ciencia-id1A1C-234C-40E9
person.identifier.orcid0000-0002-0092-0187
rcaap.rightsopenAccesspt_PT
rcaap.typebookPartpt_PT
relation.isAuthorOfPublication599654b8-0858-46e8-b74f-2357b173390e
relation.isAuthorOfPublication.latestForDiscovery599654b8-0858-46e8-b74f-2357b173390e

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