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Abstract(s)
L’enfermement est omniprésent dans la littérature du XIXe siècle et dans l’oeuvre camilienne
où l’enfermement carcéral n’en est qu’une des formes. L’importance de ce thème chez
Camilo Castelo Branco n’est guère surprenante vu qu’à l’époque romantique s’affirme la
volonté de s’affranchir des contraintes. L’enfermement est traité dans Anátema sous ses trois
principales formes : physique, psychologique et existentielle. L’auteur y décrit un château
gothique qui figure l’enfermement dans un destin.
Confinement is omnipresent in nineteenth-century literature and in Camilo Castelo Branco’s work, in which imprisonment is merely one of its many forms. The importance of this theme in Camilo Castelo Branco's work is hardly surprising, given that in the Romantic period the desire to free oneself from constraints was repeatedly asserted. Confinement is treated in Anátema in its three main forms: physical, psychological and existential. The author depicts a gothic castle that inscribes confinement in a destiny.
Confinement is omnipresent in nineteenth-century literature and in Camilo Castelo Branco’s work, in which imprisonment is merely one of its many forms. The importance of this theme in Camilo Castelo Branco's work is hardly surprising, given that in the Romantic period the desire to free oneself from constraints was repeatedly asserted. Confinement is treated in Anátema in its three main forms: physical, psychological and existential. The author depicts a gothic castle that inscribes confinement in a destiny.
Description
Keywords
Camilo Castelo Branco Roman gothique Enfermement Anátema Gothic novel Confinement
Pedagogical Context
Citation
Publisher
Instituto Superior de Administração e Contabilidade do Porto