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O choque digital no documentário pós-cinemático: a atratividade do documentário no âmbito digital
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Advisor(s)
Abstract(s)
A presente dissertação se propõe a entender, a partir da análise de obras audiovisuais e de autores do meio, como a história do primeiro cinema e do elemento da atratividade se entrelaça com a história do cinema documental e das expressões documentais pós-cinemáticas. Tom Gunning utiliza o termo “Cinema de Atrações” para ilustrar a influência de um elemento que se desenvolveu paralelamente à história da narrativa do cinema. Causando no espectador a reação de espanto ou “shock and awe”(choque e pavor), o elemento da atração re-emerge de forma significativa nas expressões do cinema digital.
A partir de um panorama geral sobre como as mídias digitais modificaram a relação de recepção e produção das imagens cinemáticas, levantaremos as características e potenciais sócio-políticos das novas formas midiáticas aliadas ao cinema documental, onde a atratividade se revela como um elemento sintomático e ao mesmo tempo propulsor de novos regimes estéticos-sensoriais e de novas questões éticas.
The present dissertation proposes to understand, from the analysis of audiovisual works and authors of the medium, how the history of the first cinema and the element of attractiveness intertwines with the history of documentary cinema and with the post-cinematic documentary expressions. Tom Gunning uses the term “Cinema of Attractions” to illustrate the influence of an element that has developed parallel to the history of cinema narrative. Causing the spectator to react astonished (“shock and awe”), the element of attraction re-emerges in a significant way in the expressions of digital cinema. From an overview of how digital media have changed the relationship of reception and production of cinematic images, we will raise the socio-political characteristics and potential of new media forms allied to documentary cinema, where attractiveness reveals itself as a symptomatic element and at the same time at the same time a propeller of new aesthetic-sensory regimes and new ethical questions.
The present dissertation proposes to understand, from the analysis of audiovisual works and authors of the medium, how the history of the first cinema and the element of attractiveness intertwines with the history of documentary cinema and with the post-cinematic documentary expressions. Tom Gunning uses the term “Cinema of Attractions” to illustrate the influence of an element that has developed parallel to the history of cinema narrative. Causing the spectator to react astonished (“shock and awe”), the element of attraction re-emerges in a significant way in the expressions of digital cinema. From an overview of how digital media have changed the relationship of reception and production of cinematic images, we will raise the socio-political characteristics and potential of new media forms allied to documentary cinema, where attractiveness reveals itself as a symptomatic element and at the same time at the same time a propeller of new aesthetic-sensory regimes and new ethical questions.
Description
Dissertação de mestrado
Keywords
Pós-Cinema Documentário Cinema de atrações Choque do futuro Post-Cinema Documentary Cinema of attractions Future shock